“Magical Realism in the Amazon”: A Review of Once an Amazonian by Jenelia Cyril
It is always both a pleasure and a challenge to review a novelist’s debut creation. In the wise words of W. Somerset Maugham: “There are three rules for the writing of a novel. Unfortunately no one knows what they are.”
The success of this young adult/teen fiction novel, which I
believe seventh to ninth graders will best enjoy, hinges on the acceptance of
Magical Realism as its dominant device. From the first appearance of a
mysterious headdress to a series of dangerous and arguably should-be-fatal
experiences the novel’s trio of heroes survive against the odds, to their
encounters with Indigenous peoples in the Amazon, if one focuses on the
adventure and the characters’ experience of it, and not the implausibility of
individual events and circumstances, this debut novel succeeds.
The central characters are 13-year-old middle school
students Katelyn and Eva, who have been friends since the second grade. Like
characters in a fairy tale, Cyril’s characters do not have a great deal of
physical detail and background, allowing readers to imprint easily upon them,
which facilitates immersion in the story (thank you, Bruno Bettelheim). Soon
after Katelyn discovers the mysterious ceremonial headdress while attending Mr.
Gunther’s social studies class (Mr. Gunther being the third central character
and the archetypal middle-school social studies teacher many of us encountered),
Eva surprises her with a trip to the Amazon, paid for by her generous Uncle
Larry.
After a series of embedded clues, bits of foreshadowing, and
events that all function in the Realm of Magical Realism, the girls and Mr.
Gunther—who was also on the flight—find themselves pitted against the Amazon and
its flora and fauna for their survival.
I want to go carefully here, so as not to ruin the plot. The
target audience will learn about the Indigenous people of the Amazon, although
again through the device of Magical Realism. I am not sure Mr. Gunther would
approve of all of the elements of the portrayal. The central characters’ arcs
will resolve in ways that one would expect in a story aimed at the target audience.
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