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Showing posts with the label alchemy

“Jung in Larger Context”: A Review of Toni Wolff & C. G. Jung: A Collaboration, by Nan Savage Healy

 (Los Angeles: Tiberius Press, 2017). ISBN: 978-0-9981128-0-0 (paperback) In the interest of Disclosure, I served as the editor for this book. That said, and keeping in mind the relationship of editors like Maxwell Perkins with their writers (in his case, no less than Hemingway, Fitzgerald, and, somewhat synchronistically—to use Jung’s term—Thomas Wolfe), this should not preclude a fair review. Indeed, editors are reviewing books all the time. The difference is, they have the opportunity to provide different eyes to the author’s work before the fact, as opposed to reviewers, who do so after the fact (although I have done a number of pre-publication reviews that precipitated changes before publication). But enough of that. I agreed to the editing contract for the same reason that I am now reviewing Toni Wolff & C. G. Jung— Nan Savage Healy’s detailed and insightful exploration of Jung’s unsung and nearly obliterated collaborator shines a powerful light on Jung, whom I, ...

“How to Manage the Void”: A Review of Sharon Heath’s The History of My Body, The Fleur Trilogy, Book 1

(Deltona, FL: Thomas-Jacob Publishing, LLC, 2016), ISBN-13:   978-0-9979517-0-7 I am going to be up front here. I love this book, which is in large part due to its main character, Fleur Robins, daughter of an ultra-Conservative US Senator from Pennsylvania and an alcoholic mother who had Fleur as a teenager. Fleur is one of the most delightful, complex, and often contradictory child characters since Holden Caulfield in JD Salinger’s Catcher in the Rye and Sheila Tubman in Judy Blume’s Otherwise Known as Sheila the Great —two characters that had a profound impact on my childhood and, subsequently, my life. Perhaps it is my own growing fascination with Complexity and Chaos Theory, but I have been noticing a recent trend in storytelling—be it novels, television, or (to a lesser extent) film—that comes into play with Sharon Heath’s approach. It began with the male anti-hero in television shows like The Leftovers and Walking Dead , who is flawed, isolated, and oftentimes just pla...