Joey Madia, New Mystics Reviews

 (Self-published, 2022). ISBN: 978-1-387-73383-5 A novel is a cannon, a short story is a rifle . —Edgar Allan Poe, “The Philosophy of Composition” Short story writing is no easy task. I don’t want to overwhelm this review with quotes, but writing short stories is a bit like what Mark Twain famously said in a letter: “I apologize for such a long letter—I didn't have time to write a short one.” Unity of action—another contribution from Poe—is key. A singular focus, be it thematic, place-based, or on the psychology and actions of a single character, drives the narrative, giving it the power and precision of the rifle rather than the broad field of play of the cannon. I have written 19 books, more than 20 plays, thousands of poems, and eight screenplays, yet I have only written four short stories. Those writers who made it their stock in trade—Nathaniel Hawthorne, Washington Irving, O Henry, Ambrose Bierce, and of course, Edgar Allan Poe—have my utter admiration. Many (many) of the...

 by Tash Jones (available for Amazon Kindle March 25, 2013; www.tashjones.co.uk ) This debut novel from Masters student Tash Jones is a compelling mirror-glance journey into the effects of the Gothic novel on Victorian sensibilities. While both referencing outright and adapting subtle elements of Walpole’s Castle of Otranto , Stoker’s Dracula , Shelley’s Frankenstein , Stevenson’s Jekyll and Hyde , and Austen’s Northanger Abbey , The Luminous Memories of Alexander Vile concerns itself with pulling back the layers of appearance and looking at the arts and their relationship to the dark side of Victorian-era values (the novel’s events take place in 1892–93). Uses the standard Gothic conventions of diaries, letters, and narration, Vile is a mystery that is slowly pieced together, reading at times like the surrealism of Poe, with generous doses of the flowery, image-laden and complexly sytaxed prose of the time in which it takes place. It is a story of people...