Joey Madia, New Mystics Reviews

  Oftentimes, when an author finds success in a particular genre, style of writing, or “voice,” they are content to remain in that level of craft that they have worked so hard to achieve. This is understandable. There are benefits to having your growing and loyal audience know exactly what they are getting when they open one of your books. Many bestselling authors have followed this formula and found it satisfying, lucrative, and essential to their longevity. Lucky for the readers of Mike Cobb’s historical fiction, the author of Dead Beckoning , The Devil You Knew , and You Will Know Me By My Deeds has, with his latest offering (a novella), adjusted ever so slightly, but meaningfully, both his voice and writing style. This cues to his growing audience that there is plenty more to come from this gifted craftsman and storyteller. In interviews with me, and elsewhere, Cobb has stated he primarily follows his characters when deciding where to take the story, without doing a larg...

    (New York: YBK Publishers, 2023). ISBN: 978-1-936411-84-9 While I cannot say it’s the same for everyone, I have found, in five and a half decades on Earth, that my most profound and valuable experiences in life are rarely about what I thought they’d be about. Perhaps that is why the maxim the journey is its own reward is so powerful for me. Lest I get to feeling too lonely in this philosophy, Nick Davies’s El Flamingo —in addition to being one of the strongest, most perfectly plotted novels I have read in several years—feels like a case in point. Lou Galloway, a frustrated actor whose Hollywood career isn’t very Hollywood and not much of a career, decides to leave it all behind and go to Mexico to lose himself and get past his most recent almost-but-not-quite Big Break in copious amounts of tequila, sea, and sand. After arriving in “Playa del something-or-other,” he is promptly pulled into an international intrigue that takes him to Columbia, where all of his consid...

  (Next Chapter, 2021). ASIN: B09HC14QML A few months ago, a publicist introduced me to the whimsical, socially conscious, quick-witted work and worlds of the novelist Pete Adams. John Broughton describes him as “the Salvador Dali of thriller writers,” a description I mention because it is so fitting. Two writers that also come to mind are James Joyce ( Finnegan’s Wake and Ulysses ), and Robert Anton Wilson and his Illuminatus series, although reading his Cosmic Trigger books will also give you a sense of the lineage of which Pete Adams is a part, especially when it comes to the corruption of the international banking cabal. The front matter describes Rite Judgement as “A politically correct / incorrect, risqué, mischievous, irreverent and, ever so naughty, crime mystery thriller. A real / surreal novel where life imitates art.” Quite a mouthful, and quite correct. Following on the heels of this quote is one from André Breton: “The imaginary is what tends to become real.” T...

  (A Mike Stoneman Thriller, KDP, 2018). ISBN: 9781723898730 One of the challenges and joys of genre writing is employing a plethora of tried-and-true tropes while bringing in something original and ultimately unexpected. This is hard enough to do with larger genres like the crime thriller, never mind drilling down into smaller loops of the spiral, into the police procedural and, in the case of Righteous Assassin , into the serial killer police procedural. Within a few pages of Righteous Assassin , I felt deeply at home—not only because I teach about and have written numerous thrillers for the stage, page, screen, and Escape Rooms—but because Chapman was employing all of the genre’s prevalent tropes. His lead character, Mike Stoneman, is a hard-nosed Manhattan police detective who is single, impatient, and given to holding everyone around him to the high standards to which he holds himself. Consider his last name, Stone man, which is like Willy Lo man in Arthur Miller’s Death o...

 There are few things as sacrosanct as a mother’s rights when it comes to childbirth and issues of custody. The maternal instinct—although it is hard for fathers to acknowledge (I am one, three times over)—is nothing less than a force of nature only mothers can truly understand. The “momma grizzly” label for a fiercely protective mother expresses something very real and nothing less than vital for the evolution of humankind in times of great stress and trial. This intense energy is the driving force of Carly Rheilan’s well-written, compelling novel, Birthrights . The motherly instinct is not reserved here for biological mother–child relationships only—the true strength of this dark page-turner is the expansion of the maternal instinct to protecting one’s siblings and the health practitioner–patient relationship. In the dedication, Rheilan writes, “For Joan Davis, who encouraged me to write what I knew.” This is the advice given to all writers at some point in their development....

  (White Bird Publications, 2021). ISBN: 978-1-63363-512-8 Authors, publishers, story analysts, reviewers, and readers often speak about a book being a “real page-turner.” Rarely do we elaborate on what that means. To me, having decades of experience in these areas, it’s about two things: (1) posing and answering Big Questions (without doing so too quickly), and immediately posing (and answering) new ones and (2) taking full advantage of the human mind’s tendency to think in terms of inevitability . In the case of Arthur Herbert’s page-turner (I got up early or stayed up late most days while reading it), The Cuts that Cure , the inevitabilities lie in the trajectories of the individual characters (based on their considerable flaws) and on how masterfully Herbert keeps storylines separate and motivations secret for so long. That’s precisely how the posing and answering of Big Questions also serve to keep the reader engaged. The opening scene finds the protagonist, Dr. Alex Bra...

 (Gumshoe—A Next Chapter Imprint, 2020), ASIN: B08R3KDZ9R It should be said up front that this is the fourth book in a series, and I have not read the prior three. Rest assured there is plenty of context to the prior installment and, should you like this one, you’ll know there is plenty more. Place-based thrillers, especially a series that digs deep into the history of a locale, fictional or not (the latter represented best by Stephen King’s Castle Rock, Maine), invite the reader into a detailed world full of mysterious characters and a cumulative lore that one-offs and stories less tied to place often do not. In this case, the acknowledgments indicate that the author spent considerable time on the islands and used a real-life apartment where she stayed as the model for the one in the novel (with permission of the owner). Blackthorn also indicates that the history presented about the islands and the villa are, to the best of her knowledge, true. As a writer of historical fi...