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“For the Page as well as the Stage, #3”: A Review of The Sacrificial King: A Play for John Lennon, by Margaret McCarthy

(artist@margaretmccarthy.com, www.margaretmccarthy.com). There’s nothing like a pandemic to adjust one’s perspective and beckon new ways of being. Since April, I’ve added a few select, exquisitely written and constructed plays to my review list. All have been solicitations from the playwrights. Having a theatre company that is indefinitely mothballed as far as presenting plays for live audiences and being a playwright myself, I have great sympathy for these works without a home, without a mechanism to reach an audience, as well as for their creators. So I am doing what I can to make a case that certain plays can offer almost as much to a reader as they can to an audience. After all, that is how good plays get produced… they are read by a dramaturg, director, or producer and, if the strength of their vision, the weight of their words, the complexity and authenticity of their characters, and the energy of their narrative are sufficiently compelling, the playwright’s work is lifted off of...

A Review of The Watchman’s Rainbow and Other Works, by Bill Wyant

ISBN: 978-0-9600201-0-2 (paperback) DISCLOSURE: For four years the author of this collection of short stories, plays, essays, and poems was a student in my creative writing classes held through an extension program offered by a community college in West Virginia. Most of the pieces that create the seemingly disparate yet unified tapestry of this collection were developed in those classes; I edited many to varying degrees and published early versions of The Watchman’s Rainbow at the literary site for which I am Founding Editor, www.newmystics.com . That said, my objectivity could rightly be put into question. With sensitivity to such a probable circumstance, what follows is more of a book report than a book review . I have chosen this modification of my approach over the prospect of abandoning the work altogether for one simple reason: These works are well written, exquisitely researched, and, as the author tells us in several of his Author Notes to the various sections, he ha...

“Yesterday’s Voices Today”: A Review of The Plays of Jon Lipsky, Volume One, edited by Bill Barclay and Jonah Lipsky

 (Hanover, NH: Smith and Kraus, 2014). ISBN: 978-1-57525-892-8 I still remember the day, seven years ago, returning to my secluded three acres in West Virginia from a meeting with my theatre company in New Jersey, to find a package from Larson Publications. Inside was a note, and a copy of Jon Lipsky’s Dreaming Together: Explore Your Dreams by Acting Them Out , which I promptly read and reviewed. It has never remained on the shelf for any appreciable length of time. I go to it time and time again. Jon Lipsky passed away some months later, before we could talk. It was not until many years later, in speaking with the publisher, that I found out that Professor Lipsky had specifically requested that I receive a copy of his book for review. Perhaps it was the name of my theatre company at the time, New Mystics, or my work with a few theatre companies that used dreams to create plays, that led to my name being placed on the potential reviewers list. Like dreams themselves, how it ...