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Showing posts with the label robert pomerhn

“Weighing in with Words”: A Review of Vittorio Carli’s A Passion for Apathy: Collected and Rejected Poems

(Press of the 3rd Mind, Chicago, 2012, ISBN: 978-0-9800257-3-9) On the last page of this brand new First Edition, there is an opportunity for readers to write in for free samples of collections by such well-known independent poets as Bradley Lastname, Eric Johnt, Robert Pomerhn, and Patrick Porter. In the past nine years I have reviewed several of the works listed. I recommend them all and any other titles you can acquire from this Chicago-based small press, because quality and relevancy are guaranteed. With this in mind, I was honored to have received an advance copy of Carli’s book and it didn’t disappoint. Being a college teacher of film, literature, and humanities as well as a reviewer of film and art and collaborative performance artist, Carli is a poet that unapologetically tells it like he sees it, dissecting from his own multi-faceted and hyper-personal perspective such topics as literary academia, Death, the personalities of the Chicago poetry scene, reality vs. illusion in nu...

Review of Highest Hurdle Press’s Letterhead Vol. 2

Review of Highest Hurdle Press’s Letterhead Vol. 2 (Edited by Bradley Lastname, Christopher Robin, Brian McMahon, Robert Pomerhn, and Eric Johnt, Highest Hurdle Press, 2008) {Disclaimer: Two of my poems appear in this collection. They are not mentioned in this review.} In 2008 I had the distinct pleasure of reviewing Letterhead Volume #1. At the time I thought it quite the impressive undertaking, bringing together so many different types of poets from so many areas of the United States. Readers of that review (and that volume) will be pleased to know that Vol. 2 builds upon both the scope and quality of its predecessor, retaining all of its best qualities while striking new ground in content and form and offering what co-editor Bradley Lastname recently explained to me is a “…darker selection of work, because the times we live in are darker.” Amen. Embroiled as we are in a time of ongoing wars and global economic and environmental crises (the key subjects explored), the role of the poe...

Meet Harvey Goldner—A Review of The Resurrection of Bert Ringold

(Cinco Puntos Press, 2008, www.cincopuntos.com) “It is what you read when you don't have to that determines what you will be when you can't help it.” —Oscar Wilde “Everybody wants to go to heaven, but nobody wants to die.”—Harvey Goldner, “Another Ancient Mariner” I never met Harvey Goldner, and now it’s too late. Harvey, who passed from this Plane in July of 2007, was a poet and personality loved by many—mostly in Seattle, where his death has left a void in the poetry scene, underground and otherwise. But elsewhere as well. I was first introduced to his work in late 2007, when I received a review copy of Letterhead, Volume 1, a collection of poems put out by Highest Hurdle Press. Within its pages was a tribute to Harvey in the form of a series of letter-poems exchanged between he and the Buffalo, NY–based poet Robert Pomerhn. In reading those letters, I was struck by Harvey’s brutal honesty as he tried (and succeeded) to help shape and mature the art of a hard-working and tale...

Review of Highest Hurdle Press’s Letterhead Volume #1

(Highest Hurdle Press, 2007, $15.00) Highest Hurdle Press’s latest collection of poetry, Letterhead Volume #1, is a collection of poetry in three sections—the first is a selection of nationally known small and independent press poets, including Mark Sonnenfeld and Joe Verrilli; the next section is an exchange of letters and poems between co-editor Robert Pomerhn and Roarshock editor Harvey Goldner (to whom the volume is dedicated); the third section includes selections by, as the introduction states, “Buffalo [NY] poets and the far-flung members of the Buffalo diaspora.” Over the course of the three sections, which together present about 75 pieces from 33 poets, we get a little bit of everything (I once again quote the introduction): “confessional poetry, spoken word/slam poetry, vispo, experimental verse, mail art, correspondence, found poetry, political poetry, and collage.” This seems like a great expanse of styles to contain in one collection, but Highest Hurdle Press seems able to...