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“Inspirational Innovation”: A Review of Eileen R. Tabios’ The In(ter)vention of the Hay(na)ku

“Inspirational Innovation”: A Review of Eileen R. Tabios’ The In(ter)vention of the Hay(na)ku (East Rockaway: Marsh Hawk Press, 2019, ISBN: 978-0-9969911-6-2) The great white whale for all true Creatives is the alchemical creation of something New. Wholly new. Something Never Before Done. But, in reality, how many emotional crews and spiritual lower legs have we sacrificed in the pursuit of such seeming folly? I was recently engaged in a discussion with creative colleagues when the idea that “there is nothing new” left to create came up. For one of us, it was a statement originally made to him some 30 years ago by a professor in the college where he had enrolled. So—is it true? Outside of deconstructionism and post-postmodernism, aside from homage and pastiche (all four of which are prevalent in my own work), is there anything truly new? This retrospective collection says yes. Embracing variations on the haiku and tercet forms while honoring Philippine culture and elements...

A Review of Eileen R. Tabios (et al.’s) 147 Million Orphans (MMXI–MML)

 (Finland: Gradient Books, 2014; Barcode: 5-800102-117065) Two years ago I reviewed a precursor to this book, by Eileen R. Tabios and j/j hastain, titled the relational elations of ORPHANED ALGEBRA (New York: Marsh Hawk Press, 2012; ISBN: 978-0-9846353-2-0). The book impressed upon the reader the function to carry forth the work begun in its pages, which I endeavored to do in the review.             147 Million Orphans takes as its basis, not the word problems of the previous title, but a list of words that Tabios’ son was required to learn in the course of a school year. Ever innovative and groundbreaking, Tabios, and her impressive list of guest poets (William Allegrezza, Tom Beckett, John Bloomberg-Rissman, Michael Caylo-Baradi, Patrick James Dunagan, Thomas Fink, jj hastain, Aileen Ibardaloza, Ava Koohbor, Michael Leong, Sheila Murphy and Jean Vengua), used the words to create hay(na)ku [from the back cover: “a hay(n...