Joey Madia, New Mystics Reviews

 (Atglen, PA: Schiffer Publishing, 2019). ISBN: 978-0-7643-5792-3 Legends of vampires have become so much a part of the fabric of who we are as human beings that we often give little thought to their origins, although those origins and how they manifest in popular culture are rather complex. There are true revenants—the stinking, almost mindless undead rising from the earth and their graves each night to satiate their bloodlust. There are the tuxedo’d, hypersexualized vampires that began with Bela Lugosi and culminated with Frank Langella on stage and screen in 1979. There are the teen and 20-something vampires best represented in Lost Boys and Twilight (the latter ushering in an age where the “monster” is analog for the human outsider and their bonding is their mutual salvation). Last, we must include the vampire/zombie hybrids that have derived from Matheson’s I Am Legend . In the age of COVID-19, we cannot overlook the virus as monster-maker, with too many films, TV series, ...

by K. P. Ambroziak (Published by the author, 2014). ISBN: 9781500405359 I love most things vampire. I write about them, have shelves full of movies featuring them, and even more shelves filled with books, both fiction and historical studies, of the vampire phenomenon. I even have a bunch of favorite songs about them. Amidst all of these myriad materials, my love of vampires has a lot of restrictions and must-haves/must-not-haves—because there is a lot about vampires being written and filmed that misses their core Brutality. Their addiction to Blood is as fierce and all-pervasive as a heroin junky’s—and, when it is well done, the addiction drives them, in the end, to always show their fangs, no matter how much their charm has fooled us. The best vampires are not to be trusted, and they know it. They tell us so, over and over. They are prone to excuses and rationalizations. They are inclined toward boredom, infighting, and existential crisis. So, when a new book about vampires...

 by Tash Jones (available for Amazon Kindle March 25, 2013; www.tashjones.co.uk ) This debut novel from Masters student Tash Jones is a compelling mirror-glance journey into the effects of the Gothic novel on Victorian sensibilities. While both referencing outright and adapting subtle elements of Walpole’s Castle of Otranto , Stoker’s Dracula , Shelley’s Frankenstein , Stevenson’s Jekyll and Hyde , and Austen’s Northanger Abbey , The Luminous Memories of Alexander Vile concerns itself with pulling back the layers of appearance and looking at the arts and their relationship to the dark side of Victorian-era values (the novel’s events take place in 1892–93). Uses the standard Gothic conventions of diaries, letters, and narration, Vile is a mystery that is slowly pieced together, reading at times like the surrealism of Poe, with generous doses of the flowery, image-laden and complexly sytaxed prose of the time in which it takes place. It is a story of people...