“Theology, Mystery, and Romance”: A Review of Penelope Holt’s The Angel Scroll
(Roundfire Books, 2024). ISBN: 978 1 80341 569 7
Penelope Holt’s
new novel, The Angel Scroll, proves
that the history meets mystery (or theological-thriller) genre popularized by the
likes of Dan Brown, Barbara Wood, Paul Christopher, and Katherine Neville can
have at its core a genuine humanness and examination of personal loss without
sacrificing the searing pace, relentless intrigue, and globetrotting action its
readers love and expect.
The Angel Scroll is replete with the requisite cast of
professors, artists, clergy, doctors, researchers, and rare manuscript and
documents dealers and collectors that readers of the theological-thriller genre
have come to expect and love. The main villain is suitably dark as well, with
proclivities that should bring a considerable chill to your spine.
This
well-funded, well-connected cast of characters moves between Manhattan,
Jerusalem, London, Rome, Milan, Northern France, and other intriguing, exotic
locales in search of three paintings and the scroll that gives the novel its
name (the latter of which is based on a real artifact, the authenticity of
which is in dispute). It is through these religious items that the Prophecy and
Destiny of the subtitle come into play—everyone from the Vatican to private
collectors want these theological tools for themselves.
The Love of the
subtitle enhances the core of the story, which makes the novel unusual and
refreshing in the theological-thriller genre, where any romantic interludes
tend to be shallow and fleeting. The narrative revolves around Claire, a recent
widow and struggling abstract artist who creates one of the three paintings
that set the plot in motion. Claire’s sense of loss and an unexpected physical
condition are complicators and drivers in her quest for answers, especially
when she meets a widower named Richard whose spouse died under much different
circumstances than Claire’s.
The success of
the novels in this genre depends upon several components: the richness of the archetypal
characters, the pacing of action and dialogue, detailed descriptions of the
locales (both geographical and architectural), and the interweaving of history
with the mysterious/paranormal/theological aspects of the tale of adventure the
author is telling. I give Holt high marks for handling all of them well. The Angel Scroll is a rapid read, with
an uncomplicated yet engrossing plot. I mean this last bit as a complement—in
the storytelling of the past decade, there seems to be a desire and competition
among writers to construct overly complex and even convoluted plots as a point
of pride.
In the process
of creating a novel that accomplishes all of the aforementioned, essential
things it needs to, Holt delivers a ticking-clock thriller that pulls from Eastern
spirituality, architecture, biblical scholarship and prophecy, Jewish mysticism,
and the Druids and Celts, placing it squarely among the works of the luminaries
of the history-meets-mystery genre.
What makes the
novel so refreshing is that it never strays from the heart-wrenching, very
human experience of love and loss that brings its central characters to life.
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