“Outing ‘Intellectual Fascism’”: A Review of On the Trail of the Nephilim, Vol. 1 and The Mysterious Moundbuilders

 

On the Trail of the Nephilim, Vol. 1 (Spirit of Life Publishing, 2013). ISBN: 978-1-534982499; The Mysterious Moundbuilders (DVD and Amazon online) 

Subvert the dominant paradigm. —Dr. John Mack

On the heels of the hollow, disappointing lack of real Disclosure in the Pentagon’s recent “disclosure” report on UAPs, those who have devoted their time, money, and expertise to the various fields of the paranormal have more motivation than ever to keep pushing in the way alien contact and abduction researcher Dr. Mack urged us all to do.

One of the leading researchers doing just that is Dr. L.A. Marzulli who has been on the trail of the Nephilim—the offspring of fallen angels and human women—since the 1980s. Marzulli is relentless, and has earned the trust of some of the most respected—or controversial, depending on where your zeitgeist resides—experts in the fields of the paranormal, such as alien implant doctor Roger Leir and world renowned sculptor and expert on Native peoples, Brien Foerster.

I highly recommend that you engage with both the book and the DVD/streaming if you are at all interested in the elongated skull phenomena, North American mounds, and the Nephilim. This is only one facet of a sizable diamond of knowledge pursuits Marzulli and his team—The Watchers—have been undertaking and, if you want more, there is an 11-part Watchers documentary series (I recently watched it in its entirety) and plenty of books.

The Nephilim, mentioned in Genesis 6 and more extensively in the Book of Enoch, may be the reason God sent the flood in the days of Noah, in order to purge the corruption that the mating of angels and humans had wrought. Although their mentions are brief, the Nephilim have nevertheless fascinated researchers and writers, including this reviewer, for hundreds of years.

Attached to the Nephilim is the notion that red-haired, cannibalistic giants once roamed Earth. Goliath is perhaps the best known. They range from eight to perhaps fifteen feet (!) tall. This latter figure aligns with a report of a special ops unit in Kandahar, Afghanistan in 2002 killing one of these things after it killed a scouting party and a member of the search party by impaling him with a spear. Despite widespread data, the existence of giants has been systematically denied and the evidence confiscated and destroyed by the gatekeepers of the Darwinian paradigm—the Smithsonian.

If this is starting to sound like a genre-bending action–adventure movie plot, maybe it’s because the Smithsonian is as mysterious—and perhaps nefarious—as the Nephilim/giants whose existence they are trying to hide.

By now you may be asking: What does this have to do with elongated skulls and North American burial mounds?

Marzulli believes that not all elongated skulls—many examples of which Foerster and Marzulli’s team have studied in Peru—are the result of wrapping or cradle boarding. Many have anomalies: double rows of teeth, one rather than two parietal plates, far increased volume, and other strange features that suggest that they are either hybrids or not from Earth. Although DNA testing has been inconclusive, there are enough questions resulting from several laboratories’ tests (most of whom wish to remain anonymous, so we can assume they are being forthcoming with their findings to Marzulli) that the quest must be continued.

Marzulli has spent a lot of time at the North American mounds, and this is where both the depth of research and the “intellectual fascism” as he rightly terms it are most illuminated. His team and other enlisted experts did extensive tests in terms of the time it takes to move enough earth with primitive hoes and wicker baskets (far too much); the layering of different soil types for strength and waterproofing (not technology Native peoples had); how far away some deposits were from the site of the mounds; the fact that Native peoples say “We did not build them” and intellectual fascists respond “Yes you did—you just forgot”; and the ignoring of Native creation stories about giants and Star People.

Keep in mind that some of these mounds are wider than the base of the Great Pyramid, are 100 feet high, and are part of elaborate complexes laid out with sophisticated mathematics, the principles of sacred geometry and gematria, which their builders aligned to lunar and solar cycles and events.

If you are engaged in Ufology, you know that vehement denials of history, lore, and architectural/technological evidence are rampant. Swamp gas, weather inversions, sand cranes, and all the rest are just analogs to what Marzulli et al. face with the mounds, giants, and Nephilim. The US Air Force employed the accusation of “forgetting” when the Roswell report came out during the Clinton administration at the behest of Lawrence Rockefeller. A colonel stood there, straight faced at the press conference and tried to pass off test dummies as what people saw. Problem is, test dummies were not developed until years after the Roswell crash in 1947. The response? “Witnesses forgot the year.”

Intellectual fascism at its deepest, darkest.

One of the highlights of the book/DVD is the examination of structures in Peru, which encapsulate pre-Inca, Incan, and Spanish building techniques. The pre-Inca stones are multiple tons, quarried from miles away and each unique, yet fitted together so that, to this day, you cannot slip a piece of paper between them. Giants? A sound/levitation or perhaps stone-softening technology? These theories are prevalent throughout studies of anomalous ancient architecture and cue us again that the gatekeepers have wronged us all with their lies and obfuscations.

With more than 120 photos and 41 newspaper clippings from the 1880s to the 1950s, On the Trail of the Nephilim, Vol. 1 offers page after page of compelling evidence, with the documentary offering more.

It is time the gatekeepers go. Committed, experienced researchers like L.A. Marzulli and his team have earned the right to send them packing. We can do our part by spreading the word of this work as far and wide as we can.