Joey Madia, New Mystics Reviews

In this age of comic book and tent-pole action film mania (I am listening to the soundtrack of Thor: Ragnarok as I type), it is a given that talented authors who write cinematically with plenty of action and larger than life characters should enjoy increased readership. R.S. Penney and his writing meet these criteria. Desa Kincaid: Bounty Hunter is a fun, action-packed horse-ride from beginning to end. Another area where I am seeing increased traction as a writer and reviewer is in genre-bending and mashups. Desa Kincaid is a Sci-Fi Western (sort of a Cowboys vs. Aliens meets Stephen King’s The Dark Tower ) that succeeds because it employs both its genre Tropes with confidence and effect while smashing to bits just as many. Sci-Fi and the traditional Western, when you deconstruct them, are excellent bedmates. They each traffic in religious and philosophical questions and metaphors and both are driven by Landscape. Vast, unexplored spaces. They pit humans not only against

(Argotist Ebooks, 2019, https://www.argotistonline.co.uk ) Irish poet Michael McNamara’s latest collection packs into 35 pages a wealth of imagery in its visionary calls across the viscous, enigmatic ether of Space-Time. This ebook’s striking cover features dozens of bearded, wild-haired faces—similar, yet unique—held in a heartlike, streaming-ribbons shape, although one at the bottom breaks (or falls?) away in screaming fury. The author? Aspects, of, perhaps, of some other entity entirely, as you will see. Like dialing in a radio from a far off station, the poems in This Transmission change voices, tones, periods, and perspectives in a cascade of crisp images and dire observations. The title poem puts the mysterious, myriad faces on the cover into context: “the Chinese, the Spanish Mexicans, the Native Americans, Siberians and Inuit” and extends the focus beyond the minority male, asking, “Was that Yoko, Cleopatra or The Magdalene?”: powerful, misunderstood, and misreprese

“Inspirational Innovation”: A Review of Eileen R. Tabios’ The In(ter)vention of the Hay(na)ku (East Rockaway: Marsh Hawk Press, 2019, ISBN: 978-0-9969911-6-2) The great white whale for all true Creatives is the alchemical creation of something New. Wholly new. Something Never Before Done. But, in reality, how many emotional crews and spiritual lower legs have we sacrificed in the pursuit of such seeming folly? I was recently engaged in a discussion with creative colleagues when the idea that “there is nothing new” left to create came up. For one of us, it was a statement originally made to him some 30 years ago by a professor in the college where he had enrolled. So—is it true? Outside of deconstructionism and post-postmodernism, aside from homage and pastiche (all four of which are prevalent in my own work), is there anything truly new? This retrospective collection says yes. Embracing variations on the haiku and tercet forms while honoring Philippine culture and elements

(Burdett, NY: Larson Publications, 2018 and 2019). ISBN 978-1-936012-84-8 and 978-1-936012-86-2 Book I: Sharoo Awakens Spirituality is often difficult to talk about with children. Despite numerous studies that show that meditation can help with everything from concentration to stress, most school systems do not have meditation programs, as it is perceived by many parents to be a form of religion—and one to which they are not comfortable having their children exposed. Given this unfortunate situation, W. W. Rowe’s Eedoo Trilogy is important. Taking place in a parallel universe where things are close enough to ours to be recognizable but different enough to be a fun literary device, these chapter books (each chapter is set off by an illustration by Benjamin Slatoff-Burke) introduce or reinforce the importance of being in touch with your higher self, represented in Book I by the enigmatic, warning spirit guide/guardian angel called Eedoo (who is termed a Floater). Like im

A Review of John A. Keel: The Man, The Myths, and The Ongoing Mysteries , by Brent Raynes (Available on Amazon and from the author, 2019). ISBN 978-1-0790-1450-1 If you are interested in the paranormal—whether it be UFOs, cryptids, or poltergeist and haunting phenomena—chances are good that you know the name John A. Keel. A journalist turned paranormal investigator and author of some of the foundational works in the field (including perhaps his most famous— The Mothman Prophecies ), Keel was cutting edge and controversial. To fully appreciate his complexity, Brent Raynes—a life-long investigator, publisher, and podcast host—delivers a text that is part biography and part survey of the areas that Keel was studying and the prevalent investigators who are still carrying on that work. I found this approach to be refreshing and appropriate given who Keel was, and, as stated in the subtitle, the “ongoing mysteries” that survive him in death. It is also an opportunity for the reader to a

 (Gainesville, FL: Poseidon Historical Publications, 2018). ISBN 978-1-4116-3266-0 Although this is his first work of fiction, Baylus C. Brooks is no stranger to maritime-themed research and writing. He is an acknowledged expert on the life and death of Edward “Blackbeard” Thache (pronounced Teach), having come closer to tracing Thache’s origins in his three books on the subject than any other scholar before him. His research has been crucial to my work in historical education and entertainment related to the Golden Age of Piracy. Never one to be afraid of controversy or putting himself out there as a scholar, it is no surprise that Brooks does not ease his way into fiction writing, but throws himself instead into the deep end of the ocean by giving us a novel that not only deals with Time Travel, but does so in a compelling, cutting-edge way. If you are a fan of other time-jumping historical fiction like the Outlander series, or even such nonhistorical entertainment as A

 (Burdett, NY: Larson Publications). ISBN 978-1-936012-90-9 Over the years I have reviewed many books from Larson Publications, including those they publish on behalf of the Paul Brunton Foundation. I have never been disappointed. This publisher has an eye for quality narratives grounded in scholarship and a crucial spiritual insight, and their books are a balm for a sorely troubled world. Having long been a student of the Gnostic Gospels (e.g., Thomas, Phillip, and Mary), the gospels of the Essenes, and other esoteric documents from the early centuries of Christianity, as well as the true nature of Jesus and those who knew him best, The Magdalene Gates was a book I was keen to read. It takes as its central plot device the uncovering of scrolls from a dig site in Turkey—scrolls that put Mary Magdalene center stage in Jesus’s life and offer spiritual guidance to both the book’s characters and well as the reader. Mary Magdalene is one of the most contested, misrepresented,

 (Leader’s Press, 2019). ISBN (ebook) 978-1-943386-54-3 Longevity is a topic under much discussion in the twenty-first century, although humans have always been fascinated by those who live to the triple digits. But it is not just a matter of quantity—at least not to me—but of quality , and that is the draw and value of this important book by Dr. Elizabeth Lopez. A trained psychologist, Lopez focuses on the Nicoya region of Costa Rica, known for a high percentage of centenarians, despite the economic struggles and lack of adequate food and water that have also led to a high infant mortality rate. Through face to face interviews with numerous centenarians, Lopez teases out the overlapping elements that create the physical and psychological conditions conducive to a long life. Some are not surprising, while others truly do make you stop and assess the way you live your life. Lopez’s research extends from a “Blue Zone” (places where the percentage of centenarians is unusually hig

(Nashville, TN: Thomas Nelson, 2012). ISBN: 978-1-947654-89-1 If all you know about the seventh president of the United States is that his is the long, chiseled face and mass of white hair on the twenty dollar bill, you’ve been missing out. This excellent biography begins with a prologue covering the rabble-rousing ruckus that was Jackson’s inauguration on March 4, 1829. Jackson was a new kind of candidate—unlike his six predecessors in this still-new nation, he was a “man of the people.” In no way an insider, this rugged frontiersman who broke the mold of presidents coming from Massachusetts or Virginia had strong beliefs and was never afraid to defend or act on them. The outgoing president, John Quincy Adams, refused to attend. Not unlike Alexander Hamilton, Jackson was a “willful boy with a chip on his shoulder” (6) and a mess of contradictions—a daily lifelong reader of scripture, he was also known for his ability to swear with the best of them. He and his brothers fought

 (Bizarro Pulp Press, an imprint of JournalStone, 2019). ISBN: 978-1-947654-89-1 If you are looking for a weird but fun ride this summer, this novella might just be for you. But a quick word of warning. Know what you’re getting into. As you’ll notice, this is published by Bizarro Pulp Press. So let’s get some definitions from Wikipedia: Bizarro fiction : a contemporary literary genre, which often uses elements of absurdism, satire, and the grotesque, along with pop-surrealism and genre fiction staples, in order to create subversive, weird, and entertaining works. Pulp fiction : lurid, exploitative, and sensational subject matter So, Bizarro Pulp… you can only imagine. And you should. But this label has nothing to do with quality. Although it is in many ways the ink-on-paper analog of Slasher Films, complete with lots of violence, sex, and, well… bizarreness, it can also be just as fine and releasing as a Rob Zombie film. If that’s your sort of thing. If it is, read on. I d

(Kāne’ohe, HI: Tinfish Press, 2019, ISBN: 978-0-9987438-9-9) It is always a special day when a new work by this innovative and energetic writer arrives in my mailbox. Over the past 10 years, I’ve reviewed about 20 percent of Tabios’ over fifty published works, at times being inspired to be as innovative as the poet and the particular work in how I did so. Part of her ability to be so prolific is the way she reworks, recycles, and reimagines her own writings and the writings of others—in this case, as the Author’s Note indicates: “Each poem begins with 1 or 1–2 lines from ‘Self-Portrait in a Convex Mirror’ by John Ashbery.” In many of my previous Tabios reviews I talk at length about her various means of working with existing pieces to create something new, so I won’t belabor it here. Instead, I’ll say that ALL work a writer or other artist produces is linked to and derivative of something— many things —that have come before. Tabios simply has the self-awareness to be up front ab