All We Need is Love: A Review of P. S. Bartlett’s Fireflies
(Mythos [Imprint of GMTA Publishing, 2013, fifth anniversary edition),
ISBN: 978-0-615754-28-4
We live in an age of flash. An age of CGI and ultra-action
in our storytelling that breeds endless comic-book films with flimsy stories
and one-dimensional heroes causing brain-jarring explosions.
In
many ways, publishing has followed suit, filling the stacks with dark visions
of horror and title after title full of violence and sex attempting to keep
afloat paper-thin story structure and one-dimensional heroes and heroines.
So
it is very refreshing to read a novel like P. S. Bartlett’s Fireflies. A novel that tells, simply
and elegantly, the story of a family’s love. Now, don’t get me wrong—there is
violence, and sex, and there is even a supernatural series of events involving
a 6-year-old boy, Ennis, and his abilities to heal through the help of what is
believed to be angels.
But
at the heart of this adventure, which takes place in 1881 in rural
Pennsylvania, are the complex relationships of Irish immigrants Owen and Sarah
Whelan and their seven children, several of whom are courting.
Bartlett’s
story structure is sound and evenly paced, and she handles the varying degrees
of Irish brogue in the family with dexterity. There is just enough to give an
authentic flavor to the dialogue without bogging the reader down.
As
in any small town, then and now, there are an abundance of secrets and a wide
array of dark hearts and diseased characters. But they serve as obstacles and
to raise the stakes rather than to merely shock and artificially drive the
narrative.
With
an abundance of sub-plots, including periodic glimpses into the past lives and
loves of Owen and Sarah, it is not completely clear who the central character
is, although their daughter Teagan, with her aspirations to be a doctor like
her father and brother and independent attitude certainly fits the bill.
I
mentioned that there is a supernatural element. The biggest surprise and
therefore the greatest strength of Bartlett’s novel is that I found myself
fully invested in the more magical, sacred elements of the story and I believed
the ending explanation without question.
Fireflies touches the heart without
being saccharine or overblown in its belief in the boundless power of love.
Sacrifice is a matter of family honor and community necessity. No one sets out
to be a hero. The Whelans are by and large innocents, in the way the Waltons
were. And speaking of classic television, for fans of Highway to Heaven, Touched by
an Angel, and Ghost Whisperer
[before it went off the rails and become about other things than the unwavering
love of the husband and wife despite her abilities] you can’t do any better.
More
and more—whether it be my reaching my mid-40s or as an antidote for all of the
flash and flimsiness of so much modern storytelling, I am compelled to tout the
value of books like Bartlett’s.
Although I am Italian and not Irish, the synergy of the immigrant family
making the most of their chances in America by sticking together and honoring
fundamental family values speaks to me. I miss my grandparents and
great-grandparents. I miss the big family gatherings where food was a central
element and your place in the family was earned over time in minor but
meaningful ways such as getting to sit at the “big people’s” table or being
dealt a hand at the penny-ante poker games later in the evening.
The
Whelans spoke to me across time and nationality.
My
one wish is that an editor’s eye has the opportunity to look over the
manuscript to clean up some of the typos. The cover, typesetting and overall
design are appealing and professional and the writing is so strong that little
things like a misspelled word or misplaced punctuation tend to stick out.
If
you are in the market for a simple tale well told, with well-drawn characters
and a compelling story, then Fireflies
will not disappoint you.
Comments