Joey Madia, New Mystics Reviews

(Psychic Book Press, 2018). ISBN: 9781728753348 A disclaimer to start. I am a paranormal researcher who is married to a psychic medium. My daughter is also a psychic medium. Given the sad fact that, in this day and age, a war is still being waged by many in the scientific community and other gatekeepers and cynics against giving any legitimacy to mediumship and investigative study of the paranormal, it may be easy for someone to simply say, as many do when I try to explain these things, that “You already believe, so you cannot be objective.” That statement makes no sense. I do, however, believe that there is life in some form after death. I also believe there are portals and multiple dimensions and sentient beings that vibrate at a higher level than living human beings and so do not behave according to traditional scientific laws. And I believe that an understanding of mediumship and what we call the paranormal is vital to the progression of the human race beyond its current and

(Rayguns and Mayhem/Kindle Direct Publishing, 2018). I have known Chuck Regan and his work for a long time. Three decades, actually. I started as a fan of his comic books, including Nether Age of Maga —a post-apocalyptic vision that’s everything from Plato to P. K. Dick. His skills as an artist—he’s known for his attention to detail and authenticity in his science fiction–based designs—translate successfully into prose. Regan has always had fun using made up words and he incorporates just the right amount of pop culture references in his work to give us grounding in the odd. Regan’s vision has always been dark, but with touches of comedy and hope in all the right places. He opens his About the Author section at the end of this collection by saying he’s technically not an author because he has yet to publish a novel. But I’ve read several of his longer works in whole or in part, and “author” certainly applies. He is as much a technician of the craft of storytelling as any author

  (Pensacola, FL: World Castle Publishing, 2018), ISBN: 9781629899985 (print edition) It has been my pleasure over the past six years or so to review Ken Hart’s science fiction novels. This will be my third. My previous reviews were of Behind the Gem and The Eyes Behold Tomorrow . Hart brings a lot of heart to his sci-fi. His previous two novels deal with family and reproductive issues and his stories explore what happens when distinct binary groups—be they male–female, human–nonhuman, or past–present—interact. His latest novel, It was a Small Affair , focuses on the third binary—past–present. The past is the confrontation at the Alamo in 1836 between the Mexican general Santa Anna (whose derisive remarks after the battle provide the novel’s title) and Travis, Houston, Bowie, Crockett, and Co. Texas’s independence from Mexico was at stake, and the Texans were badly outnumbered. There is a great deal of romanticism and myth that surrounds the Alamo. It has been the subject

(Lisa Hagan Books, 2018). ISBN: 9781945962110 Embedded in the upper righthand cover of this book is a red and white warning label: “Just picking up this book invites them in.” Given the publishing industry’s penchant for sexy marketing strategies, it might be easy to dismiss this warning label as more of the same—a clever ploy on the part of the publisher to grab your attention and get you to buy the book. But I know better. And that’s what this review is about. First of all, Nick Redfern is one of the most respected and published authorities on the subject of the paranormal, and the enigmatic (Wo)men in Black. I have read several of his books, and, having spent the past nine years studying and experiencing the paranormal, I have no reason to question anything he reports in them. He mixes field experience, interviews, and extensive research into his work, in the kind of self-checking triangulation that many investigators could learn from. Second, and even more important,

 (KGHH Publishing, 2018). ISBN: 978-1-912638-27-7 In Danse Macabre , Stephen King postulates that great horror has at its core a collection of dark tropes gleaned from our reptilian brains and deepest primordial fears. In other words, it is all about character. Following the journey of an interesting, relatable (which is different than likeable) character as he or she crosses the threshold into a subterranean (literal or metaphorical) world of monsters to be battled and souls to be saved is the essence of well-constructed horror. Applying this idea, the debut novel by Zakary McGaha, Locker Arms , is a success. Set in modern times but with a strong ‘80s feel (think Stranger Things meets Heathers meets Teachers ), this splatter-fest of a tale centers around two sets of characters—one the students of your typical suburban high school and the other their teachers. The latter are joined by Henry, one of the (anti-)heroes of Locker Arms —a washed-up, aging never-was who had big dreams

By Chad Lewis, Noah Voss, and Kevin Lee Nelson (Eau Claire, WI: On the Road Publications, 2013). ISBN: 978-0982431467 Thanks in large part to horror films and cable “reality” paranormal shows, the immense amount of time and effort legitimate paranormal investigators spend in libraries and historical societies chasing down leads is largely ignored. Most people are only interested in the “sexy” aspects of the haunting or cryptid visitation—who got chased, frightened, possessed, or injured? What dark menace is lurking in the corner? Are there “jump scares” as the investigators walk insane asylum hallways in the green glow of night-vision technology? Viewers don’t realize that paranormal investigators are in large part journalists and historians, tracking down the history that provides the context for the paranormal phenomena at play. One of the world’s best known paranormal investigators was John Keel, of Mothman fame. He was also a journalist. So was his counterpart in the film Th

(Newburyport, MA: New Page Books, 2017). ISBN: 9781632651129 In June 2009, two photo-shopped images of a “made up” entity dubbed “ the Slenderman” were uploaded to the Internet as part of a contest. The creator used as inspiration such well-known horror/paranormal tropes as the Men in Black (MIBs), the tentacled creatures of H.P. Lovecraft’s tales, and the Mothman—all of which have been a part of my life as a paranormal researcher, content creator, and experiencer for the past 10 years. Within weeks, the Slenderman was jumping its frame as a made up monster and appearing in the woods, bedrooms, and computers of people all over the world, culminating in several high-profile murders and attacks in which Slenderman was professed to be the inspiration. By the time of these events, Slenderman was the subject of hundreds if not thousands of short stories and graphic images on the Internet, at horror websites such as 4chan and Creepypasta Wiki. This phenomenon is complex, with many str

 (New Milford, CT: Visionary Living, Inc., 2018). ISBN: 9781942157236 A spiritual practitioner and healer that I am serving as book editor for emailed me a few days ago after attending a writer’s conference. “I got a literary agent,” she said. “But he says that Eat, Pray, Love memoirs are out. No one wants to hear your story.” No one wants to hear your story . What a horrible view of things. Plus, it’s a falsehood. No one wants to hear your story . Nothing can be further from the truth. Telling (and thereby owning) your story, to paraphrase Bren é Brown, is one of the bravest things that anyone can do. Stories are the stuff of which we are made, as fundamental to our makeup as atoms and cells. Governments, religions, multinational corporations, and the military are expert storytellers. They have raised it to a high art (in collusion with the media), making it more necessary than ever for those with alternative, holistic, and healing views to tell their stories. If anyone ne

 (New Milford, CT: Visionary Living, Inc., 2017). ISBN: 9781942157212 More people than ever before (at least in modern times) believe in the existence of ghosts. Popular polling organizations such as the Pew Research Center are reporting that as many as 50% of the population believe in ghosts and some 20% have actually seen one. Just twenty years ago, in the mid-nineties, this number was 9%. The mid-nineties were also the time of Dionne Warwick hawking the Psychic Friends Network on late-night TV while Miss Cleo—and her fake Jamaican accent—solicited more laughs than legitimate interest in the fields of mediumship and psychic arts. In the 2000s we had mediumship enter the mainstream consciousness through the TV shows Medium with Patricia Arquette and Ghost Whisperer with Jennifer Love Hewitt. John Edward also had his platform reading non-fiction show on TV and mediums such as James Van Praagh and Theresa Caputo (the “Long Island Medium”) were gaining a considerable following.

 (New Brunswick, NJ: Global Communications/Conspiracy Journal). ISBN: 9781606112489 Over the past few years, there have been dozens of documented sightings of flying humanoids over the city of Chicago, IL, reigniting interest among the general public in this phenomena, which has been a part of human art and culture since the earliest civilizations up through the well-known Mothman sightings on the Ohio River in the late 1960s. I am what is referred to among crypto-zoologists and paranormal investigators as an “experiencer,” as is my wife. In August 2009, while exploring outside of Point Pleasant, WV, where the Mothman was first seen, we saw a flying humanoid cross the road in front of us. Since that time, we have also witnessed interdimensionals. All of these experiences are detailed in our upcoming book from Visionary Living. I grew up at the Jersey Shore, near the fabled Pine Barrens, home of another winged cryptid—the Jersey Devil. If you consider human fascination with dra

“Between Life and Death There is Nature”: A Review of Smoky Zeidel’s Garden Metamorphosis (Deltona, FL: Thomas-Jacob Publishing, LLC, 2018), ISBN-13: 978-0-9979517-4-5 Smoky Zeidel has a way with words. This five-time Pushcart nominee is able to plumb the depths of human experience with a simplicity of language that makes accessible what the philosophers, rhetoricians, and many poets render (at times on purpose) vague and therefore useless. Garden Metamorphosis is much more than a book of poems (and a bonus short story that rends the heart); it is a meditation made in nature’s Cathedral—the garden. As Voltaire advised in Candide , we each must “tend our own garden.” Gardens have served for centuries as masterful metaphors for the soul, the human condition, and the mystical nature of Nature. Zeidel’s powerful poetry captures this alchemical mixture-in-a-bottle in book form, and the reader is wiser for the journey. Monarch butterflies figure prominently in the collection, in bo

by Michael Brein and Rosemary Ellen Guiley (New Milford, CT: Visionary Living, Inc., 2018). ISBN: 9781942157250 Disclaimer: I have two entries in this collection. Also, a book that I am co-authoring with my wife about our two-year investigation of a haunted library in North Carolina (subject of one of the two entries in this book) will be published by Visionary Living in the summer of 2018. Followers of my blogs and my work know that I have long been an advocate for Telling our Stories. I have seen the power of story on stage in social justice theatre productions, in legislative lobbying for equal rights, and in swaying public opinion. In the news as of late are the powerful stories of teenagers demanding changes to gun laws. Although the field of paranormal investigation may seem worlds (and dimensions) apart from my three decades of work as a content creator and storyteller, I have found the parallels to be considerable. As I begin to establish myself as a paranormal investi