Joey Madia, New Mystics Reviews

To begin, a definition: “Triptychs” are typically three-paneled paintings or a photograph series that explores a unified theme in different ways. The triptych of this collection is three short stories: “Long Live the King,” “The Deposition,” and “Lunar Seas.” Thematically, there could be several broad-based connections between the three stories, as they each cover a range of human emotions and relationships. Other reviewers have put forth their own theories. To me, the triptych here is unified as Past, Present, and Future explorations of what is most “savage” (read primitive, archetypal, low-vibrational) in Humankind’s relationships to its dark secrets as they are expressed in both our codified, societal Myths and the ones we individually construct. The cover design, by Keri Knutson, creates an initial unification of the stories by overlaying key elements from each on a macabre human skull. The chosen symbols could be used as a start, if the reader so chooses. The first story,

 (Impress 2015) By Joey Madia As Founding Editor of www.newmystics.com , which hosts pages for seventy authors and artists from around the world, I have the opportunity to give the creators of innovative and thought-provoking poetry a forum for their work. In cultivating the e-publisher/author relationship, I am sometimes asked to review additional work by an author. In the case of Jack Galmitz, in 2014 I reviewed three of his chapbooks— Objects , Yellow Light , and A Semblance . During the course of our correspondence, Galmitz wrote that his poetry is based on “the indeterminacy created by ambiguity—sometimes two words that are joined together when left alone on the page makes one realize there are many ways to take them and this leaves doubt and makes one look and be aware of what is there and this is the purpose I think of art.” This philosophy brings to mind some of my current favorites in the poetry world—Heller Levinson and Eileen Tabios. They share Galmitz’s ability to

 (Hanover, NH: Smith and Kraus, 2014). ISBN: 978-1-57525-892-8 I still remember the day, seven years ago, returning to my secluded three acres in West Virginia from a meeting with my theatre company in New Jersey, to find a package from Larson Publications. Inside was a note, and a copy of Jon Lipsky’s Dreaming Together: Explore Your Dreams by Acting Them Out , which I promptly read and reviewed. It has never remained on the shelf for any appreciable length of time. I go to it time and time again. Jon Lipsky passed away some months later, before we could talk. It was not until many years later, in speaking with the publisher, that I found out that Professor Lipsky had specifically requested that I receive a copy of his book for review. Perhaps it was the name of my theatre company at the time, New Mystics, or my work with a few theatre companies that used dreams to create plays, that led to my name being placed on the potential reviewers list. Like dreams themselves, how it came

(Thomas-Jacob Publishing, LLC, 2015), ISBN: 13   978-0-9963884-3-6 As I have made the journey from reader, to writer, to student, to professional writer, to teacher of workshops and writing classes, and then to book reviewer, I have come to believe that there are three kinds of (proficient, “talented”) writers at work in the world. First, there are the Storytellers. People like Hemingway, that come from the gut, who go fearlessly into the vortexing dream-space of human experience to capture something in the net of their creating, who can spin a captivating yarn without too much verbal or plot complexity but plenty of power and resonance. Then there are the Technicians—those who inherently and through 10,000 hours of practice, understand and apply structure, word choice, syntax, and suspense… who “do the task of writing” at a high level. The third type of writer is the one who is smart enough, dedicated enough, and capable enough to know that, despite the fact that Storytellers