Joey Madia, New Mystics Reviews

(Chicago: Moria Books, http://www.moriapoetry.com/ebooks.html , 2015), ISBN: 9780991212132 This month marks 10 years since I wrote my first book review. In that time, I have had the opportunity to review multiple books by the same author (in several cases, different books from a continuous series, but not always). Of the 110 reviews that I have done, there are half a dozen reviews of books that Eileen Tabios has either written or edited. This has been an easy decision to make, because no two are the same. Tabios is not only a talented wordsmith, and visual artist of language—she truly is an innovator. She invented a style of poetry called the Hay(na)ku, which numerous authors have adopted. She writes poems that pull in visual and literary art, music and dance, and that employ an impressive array of styles. She can go from dense prose poems that fill page after page with compact images and historical/literary references to very brief forms. Some months ago, I reviewed Tabios’s

(available through Amazon in paperback and for Kindle), ISBN: 978-1511572552 By Joey Madia About 18 months ago, I reviewed P. S. Bartlett’s Fireflies , which I touted as a “novel that tells, simply and elegantly, the story of a family’s love.” Although family love is a strong undercurrent in her latest offering (the second book in the “Razor’s Adventures” series), Demons & Pearls is a much different read, taking as its subject matter the high-adventure world of pirates in the 1700s.             Pirates are immensely popular these days, with the success of Black Sails on Starz, last year’s take on Edward “Blackbeard” Teach   by NBC, called Crossbones starring John Malkovich, and the buzz around the latest installment of the Pirates of the Caribbean franchise. There are also an increasing number of re-enactors and cos play participants donning pirate attire and a national “talk like a pirate day” that is always fun to participate in on Facebook.             What is it about

 (1998/2015; Moria Press; paperback: http://www.lulu.com/shop/ed-baker/neighbor/paperback/product-22165655.html ; free ebook: http://www.moriapoetry.com/bakerebook.pdf) Some poets write in a minimalist, Eastern style that reads like a sutra or a prayer, as opposed to the at-times very dense poetry of Western writers. Poets writing in the former style give the reader ample space in which to graft their interpretations and morph their experiences with the work, allowing their poems to operate like myths, folk tales, and fairytales. It was five years ago that I first reviewed Ed Baker’s work, when I received for the purpose his Restoration Letters (1972–1978) —co-authored with Cid Corman—and his solo book, Restoration Poems (1972–2007) . I had been a fan of his writing and goddess illustrations for years prior, and since publishing that review, we have kept in touch through email. Neighbor unfolds like a classic mystery (at least to this reader, who has recent experience wr

(Larson Publications, www.larsonpublications.com , 2014). ISBN: 978-1-936012-72-5 A decade ago, I lost someone very close to me. My Aunt Annette was not only a favorite family member; she was a spiritual teacher who first instilled a love of myths and stories in me. At the time of her death, her husband, a counselor and spiritual teacher in his own right, suggested that I read Neil Donald Walsch’s Home with God: In a Life That Never Ends to help me process the profound sense of loss I was feeling. In the years since, I have turned to that book many times, as I have lost other family, and some close friends and mentors. I recommended it to those I knew who were dealing with losses of their own. Elaine Mansfield’s Leaning into Love , for the reasons that I will explore in this review, is the book that I will now turn to and recommend first in times of sickness and loss. First, because it is so personal. Mansfield, who was a nutritionist and personal trainer before her h