Posts

Showing posts from February, 2020

A Review of American Refugee (a new podcast), Written, Engineered, and Hosted by Sam Graber

A Review of American Refugee (a new podcast), Written, Engineered, and Hosted by Sam Graber Disclaimer: I have known Sam Graber for 16 years and have worked with him for 14. We have co-written children’s shows, he’s published four of my nonfiction books, and my theatre company has debuted or work-shopped many of his plays. That said, American Refugee is an important new podcast that stands on its merits without my doing a fluff piece for an old friend and colleague. Although, after hearing the first two episodes multiple times, I felt compelled to get the word out. American Refugee is hosted on the OD Action website, which has “a network of more than a quarter million Americans committed to doing our part to right our ship of state and restore a sense of basic decency to our government.” Of American Refugee , they say: “ the big bold podcast finding the heartwarming, heartbreaking and sometimes hilarious stories of American refugees. … You’re about to hear remarkable sto

A Review of the stage play The Jewel in the Manuscript, by Rosemary Ziebart

 (Santa Fe, NM: Z Productions). Fyodor Dostoevsky is recognized by many as one of history’s greatest novelists (myself included). Crime and Punishment is ubiquitous in high school and college literature classes, and Notes From Underground , the Brothers Karamasov , and The Idiot beg numerous readings over the course of one’s life. His novels dig deeply into the human psyche, tackle complex moral issues, and are rich in both characterization and imagery. That said, I knew little about the personal life of the man whose novels were part of the reason why I became a writer. And so it was, with no hesitation and great interest, that I accepted the request to read and review this play, which, as the playwright tells us, “was inspired by events in Dostoevsky’s life.” “Inspired by” is a phrase I much prefer in place of “based on a true story.” It gives the writer ample room for interpretation, as “inspiration” indicates the writer’s role clearer than “based on.” Because of “inspire