Joey Madia, New Mystics Reviews

(Lisa Hagan Books, 2018). ISBN: 9781945962110 Embedded in the upper righthand cover of this book is a red and white warning label: “Just picking up this book invites them in.” Given the publishing industry’s penchant for sexy marketing strategies, it might be easy to dismiss this warning label as more of the same—a clever ploy on the part of the publisher to grab your attention and get you to buy the book. But I know better. And that’s what this review is about. First of all, Nick Redfern is one of the most respected and published authorities on the subject of the paranormal, and the enigmatic (Wo)men in Black. I have read several of his books, and, having spent the past nine years studying and experiencing the paranormal, I have no reason to question anything he reports in them. He mixes field experience, interviews, and extensive research into his work, in the kind of self-checking triangulation that many investigators could learn from. Second, and even more important,

 (KGHH Publishing, 2018). ISBN: 978-1-912638-27-7 In Danse Macabre , Stephen King postulates that great horror has at its core a collection of dark tropes gleaned from our reptilian brains and deepest primordial fears. In other words, it is all about character. Following the journey of an interesting, relatable (which is different than likeable) character as he or she crosses the threshold into a subterranean (literal or metaphorical) world of monsters to be battled and souls to be saved is the essence of well-constructed horror. Applying this idea, the debut novel by Zakary McGaha, Locker Arms , is a success. Set in modern times but with a strong ‘80s feel (think Stranger Things meets Heathers meets Teachers ), this splatter-fest of a tale centers around two sets of characters—one the students of your typical suburban high school and the other their teachers. The latter are joined by Henry, one of the (anti-)heroes of Locker Arms —a washed-up, aging never-was who had big dreams