Joey Madia, New Mystics Reviews

(Deltona, FL: Thomas-Jacob Publishing, LLC, 2017), ISBN-13:   978-0-9979517-2-1 Four months ago I was introduced to Fleur Robins, with whom I fell instantly in love. Not romantically, understand, but as a father who wants to protect a curious and brilliant, although socially and emotionally challenged, young woman from the darkness in the world, while wanting her to bathe immersively and unabashedly in the light of it as well. Perhaps it is the recent event of my only daughter’s eighteenth birthday, and her starting her senior year of high school as I write this. Perhaps it is the dancing whirl of contradictions that are her chosen isolation and digital world-traveling, her emotional and social strengths and weaknesses, her brilliance and naïveté and her own journey into the darkness and re-entrance into the light that make me invest so heavily in Fleur’s adventures. This is to take nothing away from Sharon Heath, who writes with a power and honesty that draws me in and makes

(Paloma Press, palomapress.net, 2017). ISBN: 978-2-365-87509-0 Innovation is not easy. Being innovative and prolific—well, that approaches the ultra rare. And that is why, year after year, I try to do at least one review of Eileen Tabios’s works. When the work spoke clearly as to how, I have attempted to be as innovative in my reviews as Tabios is in her art. A scroll through the 145 reviews currently on New Mystics Reviews (newmysticsreviews.blogspot.com) will show ten other reviews of Tabios’s work, some of which use lines from my other reviews or a poetic form to honor the range of inspirations and innovations Tabios has employed in her 40-plus collections, which have now been published in nine countries and in numerous languages. Manhattan: An Archaeology , from the relatively new Paloma Press (they list only one other offering so far— Blue by St. Jo and Grefalda, which I reviewed last month), has a multi-page list of inspirations, ranging from Tabios’s own previously publis

(Paloma Press, 2017). ISBN: 978-1-365-84488-1 The true gift of poetry as an art form is its deft use of air. Of space. Of pauses and gaps into which the reader can pour him- or herself. Blue takes these strengths of poetry and puts them to maximum use. With its glossy pages, blue and black ink, illustrations, and numerous typefaces, Blue looks like and reads with the speed of a children’s picture book, but don’t mistake the design for simplicity— Blue invites and rewards multiple readings, each with its own approach. For instance, the first time I read the book, I took it in as a single poem, telling only one story. The second time, I used a panel with a quote by e.e. cummings as a dividing line between two acts—one that takes as its central character love of a human and the second love of God. The third time I focused on each passage as delineated by its typeface. This third approach is like reading a book of Asian poetry or koans. Each passage is its own rich moment, an in

ISBN: 978-1536977110 (paperback) Joey Madia Half a dozen years ago, a package arrived in the mail from a publisher. As I made the half mile walk back from the mailbox toward my house on a hill on the far side of a West Virginia hollow, I pulled back the tab on the top of the mailer and out spilled The Toltec I-Ching , a beautifully illustrated new take on the venerable divining method of ancient China. Sending an email to the publisher that afternoon, I said that I would put the book thoroughly through its paces as a self-help guide, as I was in the midst of making several important decisions, both professionally and personally. The Toltec I-Ching , my review of which is available at New Mystics Reviews, was more than helpful—it was life changing. Taking the complexity of the trigrams and hexagrams of the I-Ching and breaking them down into understandable explanations, Horden, along with his illustrator, allowed me to access insights that yielded immediate results on application

 by Tom Kies (Scottsdale, AZ: Poisoned Pen Press). ISBN: 9781464208027 (paperback) Arthur Conan Doyle. Agatha Christie. Edgar Allan Poe. Peter Straub. The Mystery genre is certainly daunting. With such a rich heritage built over so many decades, one has to applaud any new writer breaking into the genre. How do you honor the well-known (and often well-worn) tropes that make the genre what it is while also bringing something new? Let’s face it—not bringing anything new to a pillar of a genre such as Mystery is like playing a song note for note as originally arranged and expecting your cover to be remembered. With this skeptical opening in mind, I have to congratulate Tom Kies on not only honoring what makes a good mystery a good mystery—twists and turns, richly detailed locations, lots of likely suspects, an overall moral depravity and subtle condemnation of society, and of course a compelling detective—he manages to bring something new and attention-getting to