Joey Madia, New Mystics Reviews

A Review of In the Oneness of Time: The Education of a Diviner, by William Douglas Horden (Burdett, NY: Larson Publicans, 2015). ISBN: 978-1-936012-76-3 (paperback) By Joey Madia It is said that, when you are “following your bliss,” as Joseph Campbell would say, or walking the Good Red Road of Native American spirituality, the teachings you most need in the moment will find you. Six and a half years ago, this maxim was made manifest in a book co-authored by William Douglas Horden titled The Toltec I-Ching (also from Larson Publications). When it arrived in the mail with a request for review, I was in the midst of opening an arts education center that would house the social justice theatre company of which I am the founding artistic director. As with any big endeavor, there were endless meetings with political and community leaders, business groups, educators, potential donors, and prospective teachers and it seemed that everyone had a different idea of what the arts education ce

(published through Sable Books, 2015). ISBN: 978-0-9968036-3-2 (paperback) Young audiences (YA) is a hot market. From Maze Runner to Hunger Games , Mortal Instruments to Divergent , stories that can hold interest, empower the reader, and provide a satisfying ending or intense cliffhanger are not only guaranteed to sell (and often secure a film deal) but they serve a much more important purpose: in the age of cyber-tech and video gaming (often the same thing), they keep traditional book-based storytelling alive. Terror’s Identity , by Sarah Maury Swan, delivers the best of YA in all the right ways. From the very first page, the story of a sixteen-year-old boy’s navigation of a no-less-than life-threatening situation for him and his family kept me engaged and eager to find out what would happen next. The characters, both teenagers and adults, are believable in both their actions and dialogue, and the story itself is told with insistent pace and an elegant simplicity while th

 (Tortoise Rampant, 2014). ISBN: 978-0-9862674-1-3 Fantasy writing is in many ways akin to a Jackson Pollock painting—at first glance, it seems like a simple enough art form to execute. Swirl a stick, drip some paint, and let dry. Or, in the case of Fantasy, create some countries (include some islands) engaged in political intrigue; brew some cultural misunderstanding; have some opposing armies; throw in a few dragons and/or magic, a little bit of romance, just a dash of sex and rough language, and publish. Here’s the problem with these ideas. Have you ever tried to replicate a Jackson Pollock? It’s not at all easy. It’s the same with Fantasy. Just as Jackson Pollock combined uniquely individual instinct, symbolism, and technique to create canvases rich in meaning, a successful Fantasy novel takes the well-worn tropes of the genre and reconstitutes them through the (hopefully unique and powerful) vision and voice of the genre. Tolkien, Martin, Rowling—perhaps the Triad that wi