“Sumptuous Sculpture”: A Review of Eileen Tabios’ Sun Stigmata
(Marsh Hawk Press, www.marshhawkpress.org , 2002) In 2009 I reviewed Eileen Tabios’ Reproductions of the Empty Flagpole (2002, Marsh Hawk Press; http://newmysticsreviews.blogspot.com/2009/01/poetic-meditation-review-of-eileen.html ). I encourage the reader to take a few moments to read that review, because what follows, including a reconstitution of that review as a poem, proceeds directly from where it ends. Always pushing boundaries, Tabios, after 12 years, took the prose poems from Reproductions and reworked them as “written-sculpted” poems, likening the process in her Preface to a sculptor releasing the image from a block of stone. While the prose poems in Reproductions employed mainly painting metaphors, this re-constituted collection brings in music, dancing, architecture, writing, and, of course, sculpture. Revisiting and reworking one’s work is not without precedent. Poets such as Walt Whitman and novelists such as F. Paul Wilson have made edits and updates t