Joey Madia, New Mystics Reviews

 (Skirt!, Guilford, CT, 2012; ISBN: 978-0-7627-8045-7) Crash , subtitled, “A Mother, a Son, and a Journey from Grief to Gratitude,” is many books in one. First and foremost, it tells the story of the author’s son, Neil, being hit by a drunk driver as he was walking his girlfriend home one night, and his ongoing physical and mental recovery over the last 10 years. If that was the beginning and end of it, Crash would still be a book worth reading. But it isn’t. Instead, Crash is also a book about how families come together in times of crisis; it’s an examination of the medical system by an insider turned outsider; it’s an indictment of the justice system when it comes to the sentencing of drunk drivers who injure and kill. And it is also a testament to the true wonder and worth of Words, for it is clear that Roy-Bornstein owes much of her family’s victory over tragedy—of their movement from Grief to Gratitude—to her ability to write things out, whether academically,

(Otoliths, 2012, ISBN 978-0-9872010-5-8) by Joey Madia In March of 2010 I opened my review of Bobbi Lurie’s collection of poems titled Grief Suite by saying: “Bobbi Lurie writes poetry that hurts.” Some two and a half years later, Lurie has presented the reader with a substantially different group of poems in both form and substance. Different, yes—but equally compelling. the morphine poems are 55 pieces that vary in length from a page and a quarter to a single sentence. All are run-on and stream of consciousness in form, with the varied content tethered to Lurie’s experiences during treatment for cancer. The first poem, “horrors of morphine,” is also the longest at more than a page, and sets the stage for all that is to come. It is here that we first experience Lurie’s thoughts on the state of poets and poetry, a theme that pervades: “they want to be among you if you offer them a contract for a book they believe will make them famous but if y

 (self-published, 2012; available on Amazon.com in for several devices) Take a moment to imagine American society’s reliance on social networking, Genetically Modified food, and pharmaceutical over-prescription continuing on its current upward arc. What will a virtual-reality world of synthetic foods, drinks, mood-enhancers, genetic manipulation, and digital economic opportunity-building run by the biomedical, religious, media, political, military, and educational establishments look like? If you are thinking bleak and slave-like, then there is much to appeal to you in The STARLING Connection , author Theodore Webb’s four-part vision of life in 30 years. Part Phillip K. Dick and part John Hughes’ prototypical high school meets Tim Burton’ Edward Scissorhands , The STARLING Connection is a sobering and often times violent and frightening look at what our world might become if things continue on their current trajectory. Taking the premise that the more things

A Review of Rosemary Ellen Guiley’s Ouija Gone Wild , with Rick Fisher (2012, Visionary Living, Inc., www.visionaryliving.com ). ISBN: 9780985724306 From one of the most prolific and respected author–investigators working in the field of the paranormal today, Ouija Gone Wild is a thoroughly researched and excellently organized collection of facts and true stories having to do with the often mis-understood (and mis-used) “talking board.”             Rosemary Ellen Guiley is joined in this endeavor by Rick Fisher, founder of the Paranormal Society of Pennsylvania, the National Museum of Mysteries and Research Center in Columbia, PA and the founder of that city’s Historic Haunted Ghost Walks. He maintains an extensive file of news clipping and stories related to the board and owns a sizable and varied collection of them.             The book is filled with some hair-raising stories of bad experiences with the board; gives a thorough history of the board’s developme

Surfing the Middle East is a book of endless dicotomy. Subtitled “Deviant Journalism for the Lost Generation,” Aizenstat’s diary and depiction of his two trips to the Middle East is equal parts eye-opening participant journalism in the tradition of Sebastian Junger and V.S. Naipaul’s Among the Believers (the best book I have ever read about the tangled weave of cultures and belief systems in the Middle East) and an at times over-the-top homage to the Gonzo journalism of Hunter S. Thompson (as evidenced most obviously by the opening quote from the good doctor and more subtly by the rampant use of his signature words: “savage,” “swine,” “fiend,” and his metaphorical device of linking drug-tripping adjectives with his on-site experiences).             To be fair to Aizenstat—whose idea to surf in Israel and Lebanon while immersing himself in the Gordian knot of what is happening “over there” as an American Jew was as excellently executed as it was extremely evocative

A Review of Seth Hammons Unheard Of [Book One of The Keys] (2012, ISBN 978-0-9859841-0-6) Welcome to a brand new world. Two actually. The first is real, the other a writer’s creation. Both are equally important to this book.             The first is a world that allows an author, almost independently, to publish a high-quality book without a publisher. I am talking more and more often in my reviews about these ultra-small, independent, and DIY authors and presses because they are growing in prevalence. Print on demand is virtually indistinguishable from large-volume runs that were the norm only 3 short years ago. Seth Hammons has written one of the best books I have read from this world in some time, and it bodes well for the future of literature that a book like this is in the world.             The second world is the one created by the author. It centers on The Iori Keys, a group of islands wherein two classes of people reside—the Imperial Iori and the wor

A Review of James Phoenix’s Frame Up (Grey Swan Press, Sept. 2012, ISBN: 978-0-9834900-3-6) I like bold. Writers should be. During my three-decade-long literary apprenticeship I have come to agree with teachers and working professionals that being a good writer—nevermind a great one—takes a hell of lot of effort, study, and belief in yourself.             You have to be bold. So I was immediately interested in James Phoenix and his debut novel when I read that he was intending Frame Up to help fill the void left by Robert Parker (author of the ultra-popular Spenser and Jesse Stone detective series’) when he died in 2010. There are several other names of note in his press materials—Dashiell Hammett, Mickey Spillane, Raymond Chandler. His own literary apprenticeship certainly seems to fit the subject matter—while he was learning to write well (and he does) he worked as a dishwasher, a waiter, a factory worker, a construction laborer, a stone tender, a weightli

(Larson Publications, 2012, larsonpublications.com), ISBN: 978-1-936012-60-2 Books, in many ways, are like people, and a bookshelf full of books could be thought of as a society in miniature. Some books look nice, but don’t offer much when you get past the cover. Some books offer some companionship in the form of a bit of new knowledge, perhaps some laughs, and a pleasant passing of time, but they are soon forgotten. Still other books are provocative, poking us in uncomfortable places and riling us up—and in the process, helping us to grow.             Then there are the books that are destined to be great. They are the books that we go to again and again. Books that are clearly the product of deep thought, extensive research, careful structure, and years of richly lived experience by their authors.             These books, unlike those that are merely passing travelers or vague acquaintances, become our friends.             Healing the Sacred Divide (subtit

  (Vanilla Heart Publishing, 2012), ISBN: 978-1-935407-46-1 By Joey Madia Frequent readers of my book reviews and creative writing are well aware of my belief that mythology, folktales, and multicultural tales, and storytelling in general, are an all-too-often missing and yet vitally important element of a healthy mind and well-functioning society, so when I got the opportunity to read and review this brand new book, I jumped at the chance.             I was not disappointed.             Smoky Trudeau Zeidel is not a Native American, as she tells us in the book’s Afterword. And yet she captures the syntax, symbolism, and simple beauty of the Native American expression of human experience with an artistry that makes for almost hypnotic reading.             The Storyteller’s Bracelet is the story of two young people, Otter and Sun Song, from The Tribe (more on the nonspecificity of exactly which tribe later) who are sent East to an Indian School to be trained in the ways of

 (2011, Burning Bulb Publishing, ISBN:9780615535791, BurningBulbPublishing.com) By Joey Madia There are lots of West Virginias. To some it’s the redneck, backwards in-bred core of Appalachia. To others it is home to the powerhouse football and basketball teams of WVU (Go Mountaineers!), while, to legions of John Denver fans, it is “Almost Heaven,” an outdoor mecca of whitewater rafting, biking, and hiking. In the five years I’ve been here I’ve seen a little bit of all of these pictures of West Virginia, and many more. The frontier spirit is alive and well, as are lots of examples of innovation and the ongoing controversy over coal, natural gas, and “fracking.” I’ve also noticed in my time here that West Virginia fascinates writers, whether natives or transplants like myself. Sooner or later, you just have to write about the place. Rich Bottles Jr., a Pennsylvania native and “bizarro” author, is one of those whose fascination with all things West Virginia manifests pro

(Burning Bulb Publishing, 2012, ISBN: 9780615623511) The Horror (or Sci-Fi) Trilogy, based as it is on the classic three-act model, is a time-honored literary tradition. But as satisfying as it can be, it’s hard to pull off through the final act. To sustain the suspense, slowly unravel the details of and maintain interest in the central characters, tease the reader with cliffhangers without creating alienation—these are the obstacles to the successfully executed trilogy. It’s a well-known mantra in literary circles that “anyone can write a good first act”—it’s all Expectation, initial IOUs (as my college writing professor termed them), and the setting of the large and small events in motion. To those who have read my reviews of Darkened Hills (2010) and Darkened Hollows (2011)— the first two books of the West Virginia Vampire Series—the reasons why “act one” and “act two” of the trilogy work so well are clear: they serve as a wonderful homage to and pastiche of the oft-told tale of

(2012, Visionary Living, Inc., www.visionaryliving.com) From one of the foremost experts on the paranormal comes this introductory handbook to a selection of 20 different categories in the field. From Haunted Objects to Mirrors, from The Evil Eye to Moon Madness this quick-reading guide serves to both educate and protect the reader in its succinct chapters and 157 pages. Whether you are just curious or one of the growing numbers of people purchasing EMF meters, tape recorders, and digital cameras and going out into the field to try and experience ghosts, spirits, and other manifestations, this book does an excellent job of explicating the pleasures and pitfalls of experiencing the Unseen and Unusual. Opening with a chapter on Curses, the book goes into an array of physical objects (those mentioned above, as well as Haunted Houses) before moving on to supernatural beings, including: demons, djinn (Guiley has co-authored an excellent book on the subject, which I reviewed last year), Sha

(New York: Marsh Hawk Press, 2012; ISBN: 978-0-9846353-2-0) If you label me, you negate me. —Soren Kierkegaard Some books help us pass the time. Others entertain or inform us. And then there is the rare book that Inspires us—forces us to see with a different set of eyes and subsequently change our Newly Provoked Thoughts to Actions, enlivening our heart and engaging our Humanity. This is such a book. And, for that reason, this will be more than just a review. There are excellent reviews about the poetics of this book available on both the back cover and out it in world. And although the book’s content is my basis for all that follows, what this is is an extension of the work begun in the book, as I believe Tabios and hastain would have it. I should begin by saying that it a great honor for me, as Founding Editor of www.newmystics.com, to have poetry by both of these poet–philosopher–activists on our literary website. They push the boundaries; even more, they evaporate them—the bounda

(Amazon Kindle [for PC, Mac, or smartphone with free downloadable app]. .99 cents) By Joey Madia I have long been fascinated by the genre-bending practice of fictionalizing one’s life experiences to turn them into “literature.” If we concede that ALL autobiography is to some degree fiction, as the human memory is dreadfully unreliable when it comes to the unfolding of events (we each cling to and exaggerate the details that meld best with our personality and values while downplaying or disregarding those that don’t) then this seems like a fair and useful practice in creative writing. In my writing classes, especially with middle school students, an exercise I find very useful is to have them write down in six to eight sentences something mundane that happened to them on a recent day. We then start to exaggerate two different elements, choosing from the Place, the People, and the Event (creating problems where there were none). I always have them keep one element the same throughout th

(2021, Stackpole Books, www.stackpolebooks.com, $12.95, ISBN: 978-0-8117-1028-2) [Disclaimer: The final chapter of this book, “The Enchanted Holler,” details many of the paranormal experiences my family has had on our 3 acres in north central West Virginia. I will not be discussing this chapter in this review and I do not believe that this precludes me from making a fair judgment about the rest of the book. JM] There is an illustration going around Facebook recently that lists the qualifications of a Paranormal Researcher in the past as compared to now. As one can imagine, in this age of ready (but often questionable) Internet “data” and a glut of paranormal shows on cable television, anyone with a camcorder, an EMF meter (which a 10-year-old friend of my daughter’s recently got as a Christmas present), and some curiosity, what passes as a Researcher/Investigator is nowhere near as rigorous as it used to be. True professionals do the leg work—literally—traipsing the natural landscapes

A Review of The Poet’s Daughter, by Parvaneh Bahar with Joan Aghevli (Larson Publications, 2011, www.larsonpublications.com) This thought-provoking book, subtitled, “Malek O’Shoara of Iran and the Immortal Song of Freedom,” tells the story of Iran’s great political activist and foremost poet of the twentieth century, Malek O’Shoara Bahar, through the eyes and experiences of his daughter. In a time when all the world is focused on the future of Mahmoud Ahmadinejad’s Iran and the Arab Spring continues to change the course of history in the Middle East, Bahar’s tribute to her father (which doubles as a personal memoir) recalls to the reader not only the circumstances that created the current situation in Iran; it also demonstrates the great power of poetry to help foment change in political activism. Not unlike Pablo Neruda who said to the Chilean forces sent for him by Pinochet: “Look around—there’s only one thing of danger for you here—poetry” or Federico Garcia Lorca in Spain, Malek O’