Joey Madia, New Mystics Reviews

(Exeter: Shearsman Books, 2011, ISBN: 978-1-84861-143-6) Eileen Tabios is an innovator in the best sense of the word. If her impressive list of publications, multi-media projects, and awards were not proof enough, one need only consider her development and promotion of the Hay(na)ku form, which has spawned three anthologies and several works from individual writers. If even that is not enough, one would be hard pressed to discount her place at the forefront of the post-postmodern language and literature movement after reading (and engaging with) Silk Egg. Having read many and reviewed several of Tabios’ works, I have been most impressed and enthused by the requirements made on the reader (or reviewer) to partner in the product being created. This, to me, is what keeps the very short “novels” (and their even shorter chapters) from being just another experiment in what is alternately called, among other names, “Nano-fiction,” “microfiction,” and “flash fiction…” This growing movement of

(2009, Fisher King Press, www.fisherkingpress.com, ISBN 978-0-9810344-4-7) Reviewed by Joey Madia Eighteen months ago, I reviewed Dr. Staples’s Guilt with a Twist, a book with which I had some reservations. In the case of The Creative Soul (subtitled “Art and the Quest for Wholeness”), a relatively short book (91 pages including the Index), he has expanded on my favorite section of Guilt, dealing with the process of creativity as it applies to mental health and the integration of the Shadow, a core idea in the work and writings of Carl Jung (Staples is a Jungian analyst who trained in Switzerland after making a mid-life career-switch at the age of 50). 
 Inherent in the process of integrating one’s Shadow is the first step of acknowledging that it exists and exploring the push and pull of opposites at play within us all. It is this dynamic tension between good and evil, light and dark, loyalty to other and loyalty to self that feeds and fuels our creative impulses. For those whose deni