Joey Madia, New Mystics Reviews

“Putting the Mother Back in Mother Church”: A Review of Put the Blame on Eve: What Women Must Overcome to Feel Worthy, Melinda J. Rising, PhD (Larson Publications, 2010; larsonpublications.com). ISBN: 978-1-936012-47-3 Put the Blame on Eve is a survey of two at-first-glance distinct histories that have actually developed on parallel tracks—Christianity and Women’s Rights, and the book is organized accordingly. The first part is a thoroughly researched and fascinating history of the creation and codification of Christianity and women’s ill treatment at the hands of the Church’s founding fathers in their historical and persistent (mis)representations of Eve, Mary Mater, and Mary Magdalene. The second part is a report on the state of women’s status in modern society using the results from focus groups and Federal government departments and other reports. Rising’s treatment of the subject evolves from three primary sources: Joseph Campbell, Elaine Pagels, and Paul Johnson. Campbell’s work

A couple of quick bits of business, and we’re off. 1. Euphiction is a new genre wherein authors create “literary covers” of songs. Although many writers have probably been doing this very thing for years, it is formalized by name in this anthology for the first time. 2. I edited the stories by N. Pendleton that appear in this collection. I can take no credit for the success of the stories, or the immense talent of their author. I merely cleaned up the edges… he did all the work. This excellent collection¬—“100 stories, 10 authors, 1 new genre” (plus an intro by Mike Dawson and an Afterword by Sean P. Murray¬) hints at the future of the short story. Longer, but just as visually rich, as flash fiction, these euphicational stories seek to reproduce the compressed narrative structure of the songs on which they were based. They read quickly and make a wide arc from ‘80s genre homage and fun-poking to deep, dark, and seedy. Most of the authors offer a microcosm of the larger variety,

“Daring to Be Audacious”: A Review of Richard G. Geldard’s Emerson and the Dream of America (Larson Publications, 2010, www.larsonpublications.com; ISBN 978-1-936012-46-4) As I write this review, the Republican party has just unveiled its new “Pledge to America,” similar to their 1994 Contract With America, which is an interesting and thought-provoking parallel to the title of this book, which, to me, is really two books in one, a notion I would like to explore up front and then move away from. Richard Geldard, an internationally known expert on the writings of R.W. Emerson, shares his subject’s passion for the state of America, including what is wrong, ideas on how to fix it, and who is to blame. While I agree in theory with much of what Geldard says in chapters such as “A Call to a Nation,” “A New Great Awakening,” “America as Opportunity,” and “Wealth and Economy” I feel compelled to warn the reader that Geldard puts the blame squarely on the Right-Wingers and Republicans and paint

(Larson Publications, 1995) Lex Hixon was a fascinating individual. He studied five religions (he was an initiated Sufi Sheikh, a practicing member of the Eastern Orthodox Church, and was about to be inducted as a priest in the Soto Zen order when he died in 1995) and published seven books. He received his doctorate in world religions from Columbia University. For 13 years he hosted WBAI’s “In the Spirit” radio program, during which time he interviewed both Mother Theresa and the Dalai Lama. Living Buddha Zen is a commentary on Zen Master Keizan’s Denkoroku: The Record of Transmitting the Light, written in the fourteenth century. Like most Zen works, with their premise that “ultimately knowing nothing always eclipses knowing anything” (p. 13), this book, and no doubts its predecessor, can be a difficult and oftentimes frustrating read, considering as it does highly abstract concepts such as “nonduality,” “mind,” and “enlightenment,” but Hixon encourages the reader to stay with it wit

“Walker Between the Worlds”: A Review of Timekeeper II, by John Atkinson (September 2010, Fisher King Press, www.fisherkingpress.com) ISBN: 978-1-926715-11-7 Thirteen months ago I had the opportunity to read and review Timekeeper, the prequel to this new work from author John Atkinson. In Timekeeper II, the protagonist, Johnnyboy/Timekeeper, continues the journey begun in the first book, although, because of his vision quest on the Sacred Mountain, he can now live up to his Native American–bestowed name and unfold his tale on multiple planes and through multiple blocks of time. This extra angle adds much to the second book, as Timekeeper, through his first-person narration, takes the reader back in time to experience events only hinted at in the first book. His experience of prejudice and intolerance from both sides of the family as a half-blood Indian are revealed in poignant vignettes, called up as Timekeeper makes a second journey in an effort to better understand his heritage and e

“Walker Between the Worlds”: A Review of Timekeeper II, by John Atkinson (September 2010, Fisher King Press, www.fisherkingpress.com) ISBN: 978-1-926715-11-7 By Joey Madia Thirteen months ago I had the opportunity to read and review Timekeeper, the prequel to this new work from author John Atkinson. In Timekeeper II, the protagonist, Johnnyboy/Timekeeper, continues the journey begun in the first book, although, because of his vision quest on the Sacred Mountain, he can now live up to his Native American–bestowed name and unfold his tale on multiple planes and through multiple blocks of time. This extra angle adds much to the second book, as Timekeeper, through his first-person narration, takes the reader back in time to experience events only hinted at in the first book. His experience of prejudice and intolerance from both sides of the family as a half-blood Indian are revealed in poignant vignettes, called up as Timekeeper makes a second journey in an effort to better understand his

(forthcoming from CW Books, May 2010) Bobbi Lurie writes poetry that hurts. Grief Suite follows the decline and deaths of its subjects with unflinching honesty. From the sterile hospitals rooms and invasive procedures that fill them to the exposure of decaying family dynamics through the course of illness and its aftermath, Lurie takes the reader on a journey through guilt, anger, denial, accusation—aspects of the “five stages” so many counselors talk about. But after reading this collection of free-verse and prose poetry, the truth seems to be that when it comes to Grief, nothing is cut and dry enough to be categorized. It must be simply lived. Or, truer still—survived. The collection begins with “Traveling North,” a prose poem that uses strings of image-phrases that call to mind Kerouac’s Mexico City works and Burroughs’s cut-up style. The punctuation works like a drum beating the battle-rhythm before the carnage. (In a later poem she writes: “I fragment short prayers, picking at the

(Fisher King Press, 2008, ISBN: 978-0-981034-40-9) By Joey Madia There is little doubt that in the nearly 20 years between the publication of Robert Bly’s Iron John and the re-publication/re-vision of Resurrecting the Unicorn by Fisher King Press (it was previously published under the title Emasculation of the Unicorn: The Loss and Rebuilding of Masculinity in America) that the dilemmas faced by the postmodern man have only grown more complex. Notice the change from “Emasculation” to “Resurrecting” in the title. It certainly makes the book more PC and less potentially off-putting, and this bears out in the text. This is not a radical manifesto on the loss of the masculine but a thought-provoking examination of just where the true essence of Manhood went off the rails. There is an excellent case made for journeying through the Feminine Principle in order to arrive at the Masculine, an idea championed by Carl Jung and countless Eastern mystics. This is about Balance and Inclusion, not ma

(Forthcoming from Marick Press, 2010, http://www.marickpress.com, Price: $14.95, ISBN 13: 978-1-934851-12-8) In the past 12 months I have had the opportunity to review several collections written by poets who are producing works stemming from their condition of being a Westerner in the East or vice versa. The time for such catalogued experiences is certainly ripe—with the United States and Asia having no choice but to come to terms with one another economically and otherwise, and the growing realization (from a small but potent population) that the future of our world must exist in a place that honors Uniqueness without fortifying Boundaries, such dichotomy-breaking insights are keys to the doors of New Possibility. Who better to keep those keys than the modern poet? From Sze-Lorrain’s bio we learn the following: She was born in Singapore and “grew up in a hybrid of cultures.” She attended school in Britain, the United States, and France. She has performed worldwide as a zheng concerti

In today’s self-help book market, finding something new is becoming harder and harder. In many ways, it’s all been said before, and often times far better, by far wiser people. It was with this challenge in mind that I began reading C. Clinton Sidle’s This Hungry Spirit. The year was coming to an end, I had thoughts of resolutions and self-betterment for 2010 at the forefront of my mind, and as I shuffled through the stack of books I had to review, it seemed like as good a choice as any. Sidle’s credentials are impressive. He is director of the Roy H. Park Leadership Fellows Program in the Johnson School of Management at Cornell, as well as being a leading authority on leadership, executive coaching, and developing human potential and author of two other books. So what was different about This Hungry Spirit? First and foremost, I found Sidle’s honesty about his personal life and challenges to be genuine to an extent that I have not seen in a long time in books such as this. While most

“Far from the Fool”: A Review of John Gartland’s Gravity’s Fool (2009, Assumption University Press, ISBN: 974-615-242-4) by Joey Madia Many a modern poet has stacks of unsold books filling the corners of his or her writing room. This is a matter of both competition as well as the lamentable lack of interest in poetry in today’s reader. Perhaps as condensed forms of Communication continue to emerge, based on the requirements of Social Networking sites, poetry will re-take its place in readers’ daily lives. In the meantime, it is good to know that some poets, such as John Gartland, are putting out additional editions of their titles. This fourth edition, published by Assumption University Press, features a new final poem and a few words by Steve Conlon, Dean of the Graduate school, about Gartland’s collaboration with Tom Hodgins (Poetry Universe 1: Poetry without Frontiers, which I will be reviewing later this year). Gartland is a novelist, playwright, and poet, and a founding member of