Joey Madia, New Mystics Reviews

Eileen Tabios is a poetic force to be reckoned with. Since 1996 she has written or edited some 30 poetry, short story, and prose collections. Her own press, Meritage, is continually producing groundbreaking, vital poetry that not only explores new realms of poetic expression, such as the hay(na)ku, which she invented, but brings a multicultural, Diasporic voice to the forefront of modern poetics. Her latest collection, Nota Bene Eiswein, continues to mine new areas of inspiration, as she “excavates” the writings of the poet Christian Hawkey and the novelist Sara Bird. The title, translated as “Note Well Ice Wine,” is explained in the Notes to Poems on page 109, as well as the source material and methods Tabios worked from to create the two halves of this collection, titled “Ice: Behind the Eyelet Veil” and “Wine—The Singer and Others—Flamenco Hay(na)ku.” In “Ice,” Tabios works in a number of forms, using Hawkey’s poetry as a launching point while mixing in additional source material as

edited by Ellen Dooling Draper and Jenny Koralek (Published for the Paul Brunton Philosophic Society by Larson Publications, 1999, www.larsonpublications.com) Everyone knows Disney’s Mary Poppins, but what of Mary’s creator, P. L. Travers? Due to the at-times questionable magic of Walt Disney and company, authors are often separated from their works. Ask most people who authored The Hunchback of Notre Dame or Tarzan and you might just get a blank-faced stare. In the case of P. L. Travers, this wonderful collection of twenty essays (three by Travers herself) not only reconnects the author with her most famous work, but illuminates the vibrant thoughts, expressive writing, and lifetime of exploration into myths, fairy tales, and folklore that were the true passions of this gifted writer. A Lively Oracle is divided into six parts (Biographical Notes; Mary Poppins; The Other Books; Themes; Conversations, Lectures, Interviews; and Three Articles by P.L. Travers) book-ended by an Introductio

(2009, Baltimore: Publish America, www.publishamerica.com) by Joey Madia The subtitle of Michaela Sefler’s most recent collection (she is the author of almost a dozen books of poems) is “Metaphysical Poetry,” a genre which has long held interest for me. The poems read as though they were channeled by the author in a somewhat altered state—certainly a place of openness and peace—derived either through meditation or deep breathing, allowing the words to flow like a calm, tranquil river. There are no politically or socially jarring works here. Everything is Prayer. They have titles such as “Yellow Jasper,” “The Magician,” and “Equinox.” The poems are all set center-spaced, marking a landscape wherein the author takes us on numerous journeys as we follow several nameless questers on their paths of enlightenment. Referred to only as “he” and “she” or “him” and “her,” these individuals operate on the level of the warrior seeking sartori, bushido, or the knighthood. The tales of the Grail Qu