Joey Madia, New Mystics Reviews

Written by Erel Shalit, a noted and extensively published Jungian psychoanalyst practicing in Ra’anana, Israel, Enemy, Cripple & Beggar is a treasure for our times. Vital and applicable to both lay people and experts, the book flows seamlessly and spirally from scholarship, to textual interpretation, to case studies, and the analysis of dreams. Shalit draws on an impressive breadth of scholarship and myths/fairy tales, looking at both history (e.g., the Crusades or Masada) and story. The book first discusses the key aspects of the Hero, considering Byron, the work of Robert Graves and Robert Bosnak, the Bible, and Joseph Campbell’s The Hero with a Thousand Faces, among many other sources. I take as my starting point the condition of mythlessness in the modern world, as expressed by Jung and reinforced by Campbell and how it is limiting our vision and ability to cure an ailing world rife with war and economic/environmental woes. If ever we needed to consider the role of the Hero, it

“Dreams pass into the reality of action. From the actions stems the dream again; and this interdependence produces the highest form of living.”—Anaïs Nin The relationship between dreams and our corporal existence on Earth is the meaty stuff of centuries of philosophical and theological discourse and Jon Lipsky—noted playwright, theatre professor, and leader of dream theatre workshops—has contributed a well-organized and vibrant new book to this ongoing discussion of the nature and meaning of the moving images that play on the cave walls of our sleep. Geared for both the theatre practitioner looking to use dreams to enhance the study of acting and the non-theatre dreamer wishing to better explore the layered meanings and images of his or her dreams, Dreaming Together is divided into an Overview section and four parts, dealing with, respectively: (1) solo dream enactment, (2) ensemble dream enactment, (3) dramatic dream enactment, and (4) dream enactment in daily life. Lipsky serves as a

Having read and reviewed some of the early InkerMen titles about a year ago (also posted here), I looked forward to this new anthology of stories from the self-labeled “Independent publishers of alternative fiction and criticism” with eager anticipation, and it did not disappoint. Green and Unpleasant Land is a collection of tales and poems that “reimagine some of the stories and events of British legend and a want to write about places that had never been adequately mythologised” (back cover). I should say up front that this review is an American’s take on a very British set of tales, so I’ll be framing some of the stories for U.S. audiences. For instance, I imagined many of them being read aloud by Jude Law or Paul Bettany, which helped me to glide easily into their pacing¬—almost all of the selections mix fantasy with humor (the old Monty Pythonesque “nudge, nudge, wink, wink”) and although many of the places and figures mentioned were unfamiliar to me, it did not detract from my en

The marketing verbiage for this book, the first in a series of five planned novels in the Stonewylde series (two others have already been published), states: “Not thriller, nor fantasy, nor romance. Yet all of these and so much more.” Although seasoned readers and reviewers learn to not spend too much thought or energy on short, powerful statements designed to spark interest and excitement, in this case, the cross-genre aspects of this book make it both noteworthy and worth a read. Berry has rendered the boundaries of several genres invisible, pulling elements from each to build her vivid world, and still manages to present a tight, well-crafted story. At 304 pages, Magus of Stonewylde is a quick, page-turning read. Stonewylde is a fascinating place—a closed community in England, where the fair-haired, fair-eyed Hallfolk are supported by the working-class, peasant Villagers. Structured around the eight pagan festivals that mark the cycles of the year, Stonewylde seems to offer a remedy

(Cinco Puntos Press, 2008, www.cincopuntos.com) “It is what you read when you don't have to that determines what you will be when you can't help it.” —Oscar Wilde “Everybody wants to go to heaven, but nobody wants to die.”—Harvey Goldner, “Another Ancient Mariner” I never met Harvey Goldner, and now it’s too late. Harvey, who passed from this Plane in July of 2007, was a poet and personality loved by many—mostly in Seattle, where his death has left a void in the poetry scene, underground and otherwise. But elsewhere as well. I was first introduced to his work in late 2007, when I received a review copy of Letterhead, Volume 1, a collection of poems put out by Highest Hurdle Press. Within its pages was a tribute to Harvey in the form of a series of letter-poems exchanged between he and the Buffalo, NY–based poet Robert Pomerhn. In reading those letters, I was struck by Harvey’s brutal honesty as he tried (and succeeded) to help shape and mature the art of a hard-working and tale

In the vast, multi-layered landscape of My Space, it’s easy to get lost. Overwhelmed. As I navigate endless pages of avatars looking for Kindred Spirits, Wise Ones, Ether Inspirations, and new readers, I sometimes wonder just why in the hell I’m wasting my time. As I plunge deeper and deeper into the ice-cold cybersea or walk further and further into the tangled forest of ads, angst, and often false appearances, I search my mental pockets for the crumbling crumbs of bread that may lead me back from the witch’s house that I know I’ll one day find. The best I can do while I’m out there is find some worthy artists to read and review. I “met” poet and essayist Douglas McDaniel through an e-mail he sent me about a Blog I had written concerning the Illuminati. After surfing his My Space I ordered his book 23 Roads to Mythville, a collection of autobiographical and other essays dealing with the nexus of Spirit and Technology in this new age. The language and rhythm come at you at an accelerat

(Highest Hurdle Press, 2007, $15.00) Highest Hurdle Press’s latest collection of poetry, Letterhead Volume #1, is a collection of poetry in three sections—the first is a selection of nationally known small and independent press poets, including Mark Sonnenfeld and Joe Verrilli; the next section is an exchange of letters and poems between co-editor Robert Pomerhn and Roarshock editor Harvey Goldner (to whom the volume is dedicated); the third section includes selections by, as the introduction states, “Buffalo [NY] poets and the far-flung members of the Buffalo diaspora.” Over the course of the three sections, which together present about 75 pieces from 33 poets, we get a little bit of everything (I once again quote the introduction): “confessional poetry, spoken word/slam poetry, vispo, experimental verse, mail art, correspondence, found poetry, political poetry, and collage.” This seems like a great expanse of styles to contain in one collection, but Highest Hurdle Press seems able to