Joey Madia, New Mystics Reviews

(Nashville, TN: Thomas Nelson, 2012). ISBN: 978-1-947654-89-1 If all you know about the seventh president of the United States is that his is the long, chiseled face and mass of white hair on the twenty dollar bill, you’ve been missing out. This excellent biography begins with a prologue covering the rabble-rousing ruckus that was Jackson’s inauguration on March 4, 1829. Jackson was a new kind of candidate—unlike his six predecessors in this still-new nation, he was a “man of the people.” In no way an insider, this rugged frontiersman who broke the mold of presidents coming from Massachusetts or Virginia had strong beliefs and was never afraid to defend or act on them. The outgoing president, John Quincy Adams, refused to attend. Not unlike Alexander Hamilton, Jackson was a “willful boy with a chip on his shoulder” (6) and a mess of contradictions—a daily lifelong reader of scripture, he was also known for his ability to swear with the best of them. He and his brothers fought

 (Bizarro Pulp Press, an imprint of JournalStone, 2019). ISBN: 978-1-947654-89-1 If you are looking for a weird but fun ride this summer, this novella might just be for you. But a quick word of warning. Know what you’re getting into. As you’ll notice, this is published by Bizarro Pulp Press. So let’s get some definitions from Wikipedia: Bizarro fiction : a contemporary literary genre, which often uses elements of absurdism, satire, and the grotesque, along with pop-surrealism and genre fiction staples, in order to create subversive, weird, and entertaining works. Pulp fiction : lurid, exploitative, and sensational subject matter So, Bizarro Pulp… you can only imagine. And you should. But this label has nothing to do with quality. Although it is in many ways the ink-on-paper analog of Slasher Films, complete with lots of violence, sex, and, well… bizarreness, it can also be just as fine and releasing as a Rob Zombie film. If that’s your sort of thing. If it is, read on. I d

(Kāne’ohe, HI: Tinfish Press, 2019, ISBN: 978-0-9987438-9-9) It is always a special day when a new work by this innovative and energetic writer arrives in my mailbox. Over the past 10 years, I’ve reviewed about 20 percent of Tabios’ over fifty published works, at times being inspired to be as innovative as the poet and the particular work in how I did so. Part of her ability to be so prolific is the way she reworks, recycles, and reimagines her own writings and the writings of others—in this case, as the Author’s Note indicates: “Each poem begins with 1 or 1–2 lines from ‘Self-Portrait in a Convex Mirror’ by John Ashbery.” In many of my previous Tabios reviews I talk at length about her various means of working with existing pieces to create something new, so I won’t belabor it here. Instead, I’ll say that ALL work a writer or other artist produces is linked to and derivative of something— many things —that have come before. Tabios simply has the self-awareness to be up front ab