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Showing posts from May, 2014

A Question of Humanity: A Review of Ken Hart’s Behind the Gem

  (Gypsy Shadow Publishing, 2010), ISBN: 978-0-9844521-7-0 By Joey Madia Behind the Gem is an entertaining and thought-provoking journey through one man’s experience with an alien race. Solidly sci-fi, but with the kind of sentiment and romance not usually found in the genre, Hart’s tale provides plenty of action, technology, and telepathy as it poses many of the Big Questions.             When a hostile race of aliens called the Baleorans attacks Earth, a group of humans, trapped in a building transplanted on another planet, struggle to make sense of their present and their future. One of their number, a man named Raymond Meinhardt, winds up the captive and soon after the Consort of one of a race of kangaroo–horse hybrid type beings, eight feet tall, called the Draasen. They are a race of telepaths with advanced technology and a feminine-ruled society.             Raymond, a former Army Ranger with experience in Vietnam, struggles to adapt to his new surroundings. His resist

A Review of Eileen R. Tabios (et al.’s) 147 Million Orphans (MMXI–MML)

 (Finland: Gradient Books, 2014; Barcode: 5-800102-117065) Two years ago I reviewed a precursor to this book, by Eileen R. Tabios and j/j hastain, titled the relational elations of ORPHANED ALGEBRA (New York: Marsh Hawk Press, 2012; ISBN: 978-0-9846353-2-0). The book impressed upon the reader the function to carry forth the work begun in its pages, which I endeavored to do in the review.             147 Million Orphans takes as its basis, not the word problems of the previous title, but a list of words that Tabios’ son was required to learn in the course of a school year. Ever innovative and groundbreaking, Tabios, and her impressive list of guest poets (William Allegrezza, Tom Beckett, John Bloomberg-Rissman, Michael Caylo-Baradi, Patrick James Dunagan, Thomas Fink, jj hastain, Aileen Ibardaloza, Ava Koohbor, Michael Leong, Sheila Murphy and Jean Vengua), used the words to create hay(na)ku [from the back cover: “a hay(na)ku is a diasporic poetic form; its core is a tercet-based