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Showing posts from December, 2010

“Putting the Mother Back in Mother Church”: A Review of Put the Blame on Eve: What Women Must Overcome to Feel Worthy

“Putting the Mother Back in Mother Church”: A Review of Put the Blame on Eve: What Women Must Overcome to Feel Worthy, Melinda J. Rising, PhD (Larson Publications, 2010; larsonpublications.com). ISBN: 978-1-936012-47-3 Put the Blame on Eve is a survey of two at-first-glance distinct histories that have actually developed on parallel tracks—Christianity and Women’s Rights, and the book is organized accordingly. The first part is a thoroughly researched and fascinating history of the creation and codification of Christianity and women’s ill treatment at the hands of the Church’s founding fathers in their historical and persistent (mis)representations of Eve, Mary Mater, and Mary Magdalene. The second part is a report on the state of women’s status in modern society using the results from focus groups and Federal government departments and other reports. Rising’s treatment of the subject evolves from three primary sources: Joseph Campbell, Elaine Pagels, and Paul Johnson. Campbell’s work

Music Made New: A Review of Cover Stories: A Euphictional Anthology (2010, coverstoriesbook.com)

A couple of quick bits of business, and we’re off. 1. Euphiction is a new genre wherein authors create “literary covers” of songs. Although many writers have probably been doing this very thing for years, it is formalized by name in this anthology for the first time. 2. I edited the stories by N. Pendleton that appear in this collection. I can take no credit for the success of the stories, or the immense talent of their author. I merely cleaned up the edges… he did all the work. This excellent collection¬—“100 stories, 10 authors, 1 new genre” (plus an intro by Mike Dawson and an Afterword by Sean P. Murray¬) hints at the future of the short story. Longer, but just as visually rich, as flash fiction, these euphicational stories seek to reproduce the compressed narrative structure of the songs on which they were based. They read quickly and make a wide arc from ‘80s genre homage and fun-poking to deep, dark, and seedy. Most of the authors offer a microcosm of the larger variety,