Posts

Showing posts from December, 2008

A Review of Erel Shalit’s Enemy, Cripple & Beggar: Shadows in the Hero’s Path (Fisher King Press, www.fisherkingpress.com, 2008)

Written by Erel Shalit, a noted and extensively published Jungian psychoanalyst practicing in Ra’anana, Israel, Enemy, Cripple & Beggar is a treasure for our times. Vital and applicable to both lay people and experts, the book flows seamlessly and spirally from scholarship, to textual interpretation, to case studies, and the analysis of dreams. Shalit draws on an impressive breadth of scholarship and myths/fairy tales, looking at both history (e.g., the Crusades or Masada) and story. The book first discusses the key aspects of the Hero, considering Byron, the work of Robert Graves and Robert Bosnak, the Bible, and Joseph Campbell’s The Hero with a Thousand Faces, among many other sources. I take as my starting point the condition of mythlessness in the modern world, as expressed by Jung and reinforced by Campbell and how it is limiting our vision and ability to cure an ailing world rife with war and economic/environmental woes. If ever we needed to consider the role of the Hero, it

A Review of Jon Lipsky’s Dreaming Together: Explore Your Dreams by Acting Them Out (Larson Publications, www.larsonpublications.com, 2008)

“Dreams pass into the reality of action. From the actions stems the dream again; and this interdependence produces the highest form of living.”—Anaïs Nin The relationship between dreams and our corporal existence on Earth is the meaty stuff of centuries of philosophical and theological discourse and Jon Lipsky—noted playwright, theatre professor, and leader of dream theatre workshops—has contributed a well-organized and vibrant new book to this ongoing discussion of the nature and meaning of the moving images that play on the cave walls of our sleep. Geared for both the theatre practitioner looking to use dreams to enhance the study of acting and the non-theatre dreamer wishing to better explore the layered meanings and images of his or her dreams, Dreaming Together is divided into an Overview section and four parts, dealing with, respectively: (1) solo dream enactment, (2) ensemble dream enactment, (3) dramatic dream enactment, and (4) dream enactment in daily life. Lipsky serves as a